Built in mic pre with phantom power gain switch balanced xlr line output
Listado built in mic pre with phantom power gain switch balanced xlr line output
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Consola mixer sonido peavey pv 8 canales 5/6 y 7/8 con entradas de línea estéreo conmutables duales eq de 3 bandas en todos los canales clip led, señal, 1 monitor pre-fader enviar 1 envío de efectos post-fader con salida estéreo salida de sala de control alimentación phantom global de 48 voltios, cinta para controlar la sala y cinta para mezclar asignaciones salida estéreo conectores balanceados de 1/4 de pulgada diseño robusto de la consola software reaper incluido 4 entradas de micrófono de bajo ruido rq ™ (de calidad de referencia) peso desempaquetado: 7,10 lb (3,22 kg) peso embalado: 9solamente envío por mercadoenvios hacemos factura b o a00 libras ( kilogramos) ancho empaquetado: 4
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Beyblade con lanzador alternativo made in china modelo disponible phantom orion consultar stock antes de ofertar incluye lanzadortenemos mas beyblades
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switchable phantom power the mg mixer microphone preamplifiers provide 48-volt phantom power for studio-quality condenser microphonesreliable xlr output connectors the main stereo outputs and mono output feature rugged, reliable xlr type connectorsphantom power can be switched on or off for in 8-channel groupsvariable lpf on the mono output a low-pass filter with a roll-off frequency that can be varied from 80 to 120hz is provided on the mono output for convenient connection and optimum matching with a subwooferinput gain controls and pad switches allow optimum matching with the widest possible range of sources: microphone levels can be adjusted from -60 db to +10 db, while line levels can be adjusted from -34 db to +10 dbversatile inputs the monaural inputs provide both balanced xlr and phone jacks - that's channels 1 through 16 on the mgfx, and channels 1 through 24 on the mgfxall other features are the same, including two renowned yamaha spx effect processors built incomprehensive output connectors the mixer's main stereo program signal is simultaneously delivered to the main stereo outputs (xlr jacks), the sub-stereo outputs (phone jacks), the rec out connectors (rca pin jacks), the mono out (xlr jack), and the headphones output (stereo phone jack)the stereo channels feature 4-band eq with 10 khz high, 3 khz hi mid, 800 hz lo mid, and 100 hz low controlsserious consoles for live sound or installations the mgfx and mgfx are full-featured sound reinforcement consoles with capacity and capabilities that can handle demanding live sound applicationsso even if you need to feed a front-of-house system, monitors, a subwoofer, a master recorder, and other output lines simultaneously, the mgfx or mgfx will handle ithigh-performance digital effect processors built in both the mgfx and mgfx contain a powerful pair of yamaha digital signal processors that provide a useful selection of 16 advanced digital effectsmid-sweep 3-band mono channel eq, 4-band stereo channel eq the mono channels on both the mgfx and mgfx offer advanced eq facilities: 3-band eq with a 10 khz shelving high control, a 250 hz ~ 5 khz sweepable mid control, and a 100 hz shelving low controlmulti-bus configuration with a total of 14 buses in addition to the main stereo bus that feeds the console's main outputs, the mgfx and mgfx feature four group buses for convenient sub-mix grouping, six auxiliary buses for monitoring and external effect send, and send buses for the two internal effect processorsextensive routing capability is also provided for monitoring and external signal processing, as required by your applicationinsert i/o points are also provided on the stereo bus (l and r) and on the four group buseseffect programs include reverb, delay, pitch change chorus, phaser, voice doubler, and distortionthe effects include editable parameters so they can be customized as required, and processorthe channel send knobs and bus assign switches make it easy to send the signal from each channel to the stereo, group, internal effect, and auxiliary buses as requiredchoose the 24-input mgfx or 32-input mgfx according to the number of sources you need to handletwo stereo aux returns are provided in addition to the internal effect returns, providing an extra margin of return versatility for wet monitoring, for examplethe microphone inputs also have switchable 80 hz high-pass filters for low-frequency noise reductiontwo effect sends are provided in addition to the six aux sendschannel peak indicators are provided to facilitate optimum level matchinginsert i/o mono input channels feature insert patch points that can be used to insert external signal-processing devices into the channel's signal pathnot only do these connectors lock to minimize the chance of accidental disconnection, but they provide superior electrical contact for long-term dependability as wellthe mg-series mixers feature low-noise, high-performance microphone preamplifiers that will bring out the best in dynamic and condenser type microphonestop-quality microphone preamps microphone preamplifiers play a vital role in determining the final sound of your mixesindependent phone-jack outputs are also provided for group buses 1 through 4high input capacity for live sound the mgfx has 16 mono inputs and 4 stereo inputs, while the mgfx has 24 mono inputs and 4 stereo inputs12-segment level meters four high-visibility 12-segment meters are switchable to allow precise visual monitoring of levels on the main stereo bus, the four group buses, the stereo 2-track input, the pfl (pre-fader listen) bus, or the afl (after-fader listen) bustwo of the stereo inputs offer phone jacks as well as rca pin jacksthat's a total of 14 buses in all for exceptionally flexible signal routingample sends and returns all input channels have a total of six auxiliary sends: aux send 1 through 4 can be switched for pre- or post-fader operation, while aux sends 5 and 6 are post-fadermicrophone preamplifiers are provided on channels 1 through 16 of the mgfx, and on channels 1 through 24 of the mgfxindependent 2-track rca pin jack inputs are also provided for input from cd players or other stereo line-level sourcesthat's more than sufficient send capability to handle monitoring and effects for all but the most complex applications
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The mixer is equipped with professional xlr main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning fxfeature summary 8 mic/line inputs, 2 with class a fet high impedance 60mm professional quality faders responsive 3-band, swept mid eq with musiq configurable usb stereo audio in/out 1 pre-fade aux send 1 fx send 2 stereo inputs separate 2-track record outputs 16 internal effects xlr main stereo outputs with inserts comprehensive monitoring 48v microphone phantom power di level switching with gain boost neutrik xlrs and 1/4 inch jacksthere is a gain “boost” switch associated with the guitar inputs which boosts gain by 26db to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and softzed effects are easily controlled using 3 buttons with 9 display ledszedfx comes with configurable usb audio in/out, making it easy to capture a stereo recording at the gig or in the studioguitar di zedfx’s pre-amps are similar in design to our mixwizard range of mixers, but with a twist! inputs 7 & 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickupthese newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head ampan extremely high input impedance ensures loading on pick-ups is minimal and a class a fet (field effect transistor) circuit powered from 48v is employed to give the valve-like gain stagezed-fx zedfx has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality fx at their gigs and on their recordingstwo of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for di boxesswitches and connection through jack socket terminals provide different send/return configurations:- send options: 1) main mix left + right (post master level) 2) aux + fx bus (aux is a pre-fade send, fx is a post-fade send) 3) record bus left + right (separate stereo bus to main mix) return options: 1) to playback input (through jack socket break contacts) 2) to stereo 2 channel (through jack socket break contacts) musiq zedfx features a responsive 3-band, swept mid frequency eq design which utilises musiq – with optimised slope (or q factor) for equalising individual instrumentsthese inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmththis mixer is a guitarist’s dreamthese effects are available nowhere else at this price point – this quality and integration is only available from the zed-fxtwo stereo inputs are provided for mp3/cd players or keyboardsour dsp engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performanceusb audio flexibility getting audio to and from a computer easily is now a common requirement for live sound and music productionthe way this has been implemented on zed is super-flexible and super-easy! no longer do you need to fiddle around the back of your pc to get to the soundcard inputs, only to find that the levels are all wrong and noisyall this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and characterzedfx overview ¿live or in the studio, zedfx is a compact, portable mixer that is ideal for small bandsto alter effects parameters, the tap button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on plate, or the depth on chorusfor example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-inmost important of all, zedfx lives up to the audio and build quality standards that have made allen & heath one of the most trusted names in professional audio for more than 40 yearsthere is one-stop navigation and editing – in fact, it’s just as easy as using effects pedalsjust plug in a usb lead to your zed, select the usb routing on the mixer and the device on your computer and that’s it! cd quality audio to and from your pc or mac
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Input terminated with 600 ohms, ihf-a, typ) da block output (1l, 2r) jacks: 109 db typ*2 input 1l supports high impedancecontrollerssens 1l, 2r knobs hi-z switch 48v switch output knob phones knob power source switch direct monitor switch ground lift switchindicatorlevel indicators (1l, 2r) power indicator hi-z indicator 48v indicatorcharacteristicsnominal input levelinput (1l, 2r) connectors (xlr type): - dbu input (1l, 2r) jacks (1/4-inch trs phone type): -44--+4 dbumaximum input levelinput (1l, 2r) connectors (xlr type): +2 dbu input (1l, 2r) jacks (1/4-inch trs phone type): +18 dbunominal output leveloutput (1l, 2r) jacks: -6 dbu (impedance balanced)maximum output leveloutput (1l, 2r) jacks: +8 dbu (impedance balanced)phones maximum output power20 mw + 20 mw (l + r, 47 ohms load)headroom14 dbinput impedanceinput (1l, 2r) connectors (xlr type): 4 k ohms or greater (balanced) input (1l, 2r) jacks (1/4-inch trs phone type): 15 k ohms or greater (balanced) input (1l) jack (1/4-inch phone type * k ohms or greater *3 when the hi-z is turned onoutput impedanceoutput (1l, 2r) jacks: 2 k ohms (balanced) phones jack: 47 ohmsresidual noise levelinput (1l, 2r) --> output (1l, 2r): -94 dbu typ1 khz, 48 khz, 96 khz, 192 khzinterfacehi-speed usb midi in, outconnectorsinput (1l, 2r) connectors: xlr type (balanced, phantom power: +48 v, 6 ma max *1) input (1l, 2r) jacks *2: 1/4-inch trs phone type (balanced) phones jack: stereo 1/4-inch phone type output (1l, 2r) jacks: 1/4-inch trs phone type (impedance balanced) midi (in, out) connectors usb port: usb type b dc 5v port: usb type micro b *1 current value per channel(sens 1l, sens 2r knobs: min)dynamic rangead block input (1l, 2r) jacks: 104 db typotherpower supplysupplied from the computer via usb, dc 5vcurrent draw500 maoperating systemmicrosoft(r) windows(r) 7, windows(r) 8, windows(r) 81, windows(r) 10 apple mac os x or later apple ios 9 or laterdimensions145 (w) x 165 (d) x 46 (h) mm 5-3/4 (w) x 6-1/2 (d) x (h) inchesweight (main unit only)10 kg 2 lbs 4 ozaccessoriessetup guide leafletsystemnumber of audio record/playback channelsrecord: 2 channels playback: 2 channelssignal processingpc interface: 24 bits ad/da conversion: 24 bitssampling frequencyad/da conversion: 44
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Ultra low noise 16 channel 2-bus mixer - extremely high headroom - offering more dynamic range than any other conventional mixer - 4 mono in put channels with gold plated xlr's - 4 stereo input channels - 2 additional multifunctional stereo line inputs - 2 aux sends, with one pre/post switchable - ultra low noise discrete mic preamps with +48v phantom power - 2 band eq on all channels - balanced inputs and outputs - solo in place and prefade listen function - master aux sends have solo facility - separate mix and monitor/headphone outputs - 2track inputs assignable to main mix or monitor/headphone out - highly accurate bargraph meters on output - high quality 60mm panasonic laser trimmed faders and sealed potentiometers - based upon ic's for reliable low noise operation - rugged manufacturing for long life cycle - configured for us-style 115vac powerespecificaciones: behringer eurorack mx a ultra-low noise design 16 shannel mic/line mixer used in studio only, comes in original box and packing, with serial #en muy buen estado!con su caja y fuente de fabricafunciona todo a la perfección
$ 3500
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Trs + extra xlr mic inputs on chtrs) - stereo line channels: 4 (1/4 intrs l/r - monitor line outputs: 1 x 1/4 in10) - channel inserts: no - channel eq: 3-band - graphic eq/fbq feedback detection: 2x9-band eq - phantom power (+48 v): yes - aux sends: 1 pre/1 post fader - 24-bit digital fx processor: 1 - power amp modes: main l + main r, monitor + main, main bridge mode - power amp inserts: power amp inputs l/r - main mix line outputs: 1/4 inespecificaciones: - 14 channel inputs - 6 mono channels - 4 stereo channels - 9 invisible mic preamps - 3-band eq (all channels) - 2 aux sends (1 internal fx, 1 monitor) - 2 x 250 watt power amp - 2 power amp inputs - 3 preamp outputs (l/mono, r, monitor) - 3 speaker outputs (l, r, mono bridged) speakon - 2-track input/output +48 v phantom powertechnical description - maxoutput power: 2 x 250 w @ 4 ohms 1 x 500 w @ 8 ohms - speaker outputs: neutrik speakon comparable - mono mic/line channels: 6 (xlr + 1/4 in7/8/9; rca inputs on chse retira x caballito o microcentro o lugar a convenir): yes (on stereo chtrs - 2-track i/o (rca connexcelente estado, casi naaa de uso!! se compro para un proyecto de radio que nunca se dio y quedo guardadaconsola potenciada marca alemana importada behringer europower pmx10) - phones/ctrlroom output: yes
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Voltage 15 vpp balanced input (xlr): impedance 100 kohm, max3 cm output power: 250w rms @ 4 ohms / 150w rms @ 8 ohm power requirement: v requiere transformador volts de 50 watvoltage 10 vpp controls gain: -60 db to +23 db range master volume line out level ground lift (switch on rear panel) pre/post eq (switch on rear panel) equalization low: center frequency: 40 hz; level: ±16 db low mid: center frequency: 360 hz, level: ±16 db high mid: center frequency: 800 hz, level: ±16 db high: center frequency: 10 khz, level: ±16 db vpf (variable pre-shape filter) center frequency 380 hz vle (vintage loudspeaker emulator) frequency range 250 hz-20 khz outputs line out: balanced xlr, maxvoltage 20 vpp (pre-eq) tuner out: unbalanced, maxvoltage 2 vpp speaker out: speakon/1/4" combo, 1/4" weight: 5inputs input: impedance 500 kohm, maxvoltage 25 vpp effect return: impedance 33 kohm, max/ 25 cm height: 3voltage 20 vpp effect send: unbalanced, max
$ 18000
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Dfx, our 24-bit digital multi-effect processor with 16 programs plus one main parameter control, tap control and foot switch jack five balanced mic/line channels with inserts three stereo line channels 3-band eq with swept mid-range 75 hz low-cut filter on mono channels two aux sends, one with pre/post switch three stereo aux returns, two with effect to monitor level control +48v phantom power on mic channels mini stereo i/o and stereo rca i/o each with trim control solo feature on each input and output two true subgroups with main l and r routing switches rec out with trim control for recording level matching built-in switching power supply with universal connector, vac, hz
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5 db (20 hz to 48 khz), refer to the nominal output level @ 1 khz, gain knob: min hum & noise level equivalent input noise -128 dbu (mono input channel, rs: 150o, gain knob: max) residual output noise -102 dbu (stereo out, stereo master fader: min) crosstalk -78 db power requirements ac v, hz power consumption 30 w dimensions w 444 mm (17audionet distribuidor oficial de las mejores marcas de audio yamaha mg16 consola mezcla de 16 canales mesa de mezclas de 16 canales hasta un máximo de 10 entradas de micro/16 de línea (8 mono + 4 estéreo) 4 buses de grupo + 1 bus estéreo 4 envíos aux (incluyendo envío para efectos) preamplificadores de micro “d-pre” con circuito darlington invertido compresores de mando único interruptor de atenuación (pad) en las entradas mono alimentación phantom +48 v salidas xlr balanceadas fuente de alimentación interna universal para poder utilizar la mesa en cualquier parte del mundo kit para montaje en rack incluido chasis metálico dimensiones (ancho x alto x profundo): 444 mm x 130 mm x 500 mm peso neto: 6,6 kg outline i/o phantom power +48 v input channels mono[mic/line] 8 mono/stereo[mic/line] 2 stereo[line] 2 output channels stereo out 2 monitor out 1 phones 1 aux send 4 group out 4 bus stereo: 1, group: 4, aux: 4 input channel function pad 26 db (mono) hpf 80 hz, 12 db/oct (mono/stereo: mic only) comp 1-knob compressor (gain/threshold/ratio) threshold: +22 dbu to -8 dbu, ratio: 1:1 to 4:1, output level: 0 db to 7 db attack time: approx300 msec eq high gain: +15 db/-15 db, frequency: 10 khz shelving eq mid gain: +15 db/-15 db, frequency: mono 250 hz – 5 khz peaking eq low gain: +15 db/-15 db, frequency: 100 hz shelving peak led led turns on when post eq signal reaches 3 db below clipping general specifications total harmonic distortion dbu (20 hz to 20khz), gain knob: min, dbu (1khz), gain knob: min frequency response +025 msec, release time: approx
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power switch on off mains power switch with led indicator and featuring soft start circuitry to minimise switch on and switch off noisegain control with peak led controls the level of input gaincompression on/off push switch push switch which activates the compression circuitnote: this control works in conjunction with input gain control (3)graphic on/off switch and indicator push switch to access or by-pass the graphic with led indicating on/off statuslo-sensitivity input input for the connection of bass guitars with higher output levelshi-sensitivity input input for the connection of bass guitars with lower output levelspre or post eq selection switch selection switch to offer a studio or pa engineer with the choice of direct signal either before or after eq and compression has been addeddeep switch push switch to add extra bottom to the low end of the primary eqbright switch push switch to add brightness and attack to the top end of the primary eqvolume control rotary control to set the overall output level of the amplifierfor the footswitch to function the front panel switch must be in the ‘off’ positionthe input gain control should be used to set the threshold level and the depth control to select the amount of compressionthe various positions in between offer numerous combinations of the brighter more percussive solid-state tone with that of warmer more compressed valve tone(the graphic is also footswitchable by any standard on/off footswitch)pre-amp blend control this control fully anti-clockwise routes the signal through purely solid state input pre-amp circuitrymarshall dynamic bass system ] amplificador marshall para bajo modelo dynamic bass system de 200 w rms, amplificador en perfecto estado y funcionamientono permuto, solo venta 1for optimum signal level the peak led should light occasionallyturned fully clockwise the signal is routed through an ecc83 pre-amp valve circuitcompression threshold indicator led which indicates when the compression threshold is reached3compression depth control rotary control for selecting the depth of compressionlow primary eq control rotary control that gives + or - 15db cut and boost of the lower end of the primary eqhigh primary eq control rotary control that gives + or - 15db cut or boost of the primary eq upper frequenciesequipo de finales de la década de los 90, alrededor de , está revisado y funcionando perfectamente, no tiene nada fuera de lugargraphic equaliser 7 band graphic equaliser offering + or - 15db cut or boost (centre flat) of the frequencies that proved to be the most effective for bass reproduction in our exhaustive listening teststiene 7 bandas de ecualización, control de mezcla de pre, compresor, entrada hi y low
$ 16000
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Consola allen and heath 16 mix wizard made in england excelente consola profesional con anvil (+ opcional potencia qsc usa 900) *última foto mayores detalles 16 mic/line inputs with balanced xlr/trs jack, and direct output 100mm faders – throughout 4-band eq – comprehensive equalisation with 2 sweepable mids 6 auxiliary sends – 2 pre, 2 switched, 2 post fade (may be reconfigured) 2 stereo returns – on trs jack dedicated mono output fader with innovative mode for control of aux fed subs independent a-b output to feed any number of applications, including a 2-track recorder, monitor foldback or speaker fills metering – twin 3-colour, 12 segment bargraphs follow selected monitor source, channel signal and peak leds onboard fx – 16 fx programs with external editing software connected via midi pluggable jumpers for user configurability mounting – desk or rack mountable, with rotating connector pod sys-link 2 output option – for connection to other allen & heath sys-link compatible consoles * opcional potencia made in usa excelente estado 900w: modo bridge y estereo, limiter, lowfilter1% damping factor: 200 gain: 32 db input sensitivity: 15 pulgadas peso: 15oportunidad! descripción: 8 ohms per channel 270w rms 4 ohms per channel 450w rms 2 ohms channel 550w rms frequency response: 20hz to 20khz total harmonic distortion: 016v signal to noise ratio: 104db speaker load impedance: 4 ohm (minimum) dimensiones: 19 x 5
$ 22000
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Consola allen and heath 16 mix wizard made in england excelente consola profesional con anvil *última foto mayores detalles 16 mic/line inputs with balanced xlr/trs jack, and direct output 100mm faders – throughout 4-band eq – comprehensive equalisation with 2 sweepable mids 6 auxiliary sends – 2 pre, 2 switched, 2 post fade (may be reconfigured) 2 stereo returns – on trs jack dedicated mono output fader with innovative mode for control of aux fed subs independent a-b output to feed any number of applications, including a 2-track recorder, monitor foldback or speaker fills metering – twin 3-colour, 12 segment bargraphs follow selected monitor source, channel signal and peak leds onboard fx – 16 fx programs with external editing software connected via midi pluggable jumpers for user configurability mounting – desk or rack mountable, with rotating connector pod sys-link 2 output option – for connection to other allen & heath sys-link compatible consoles oportunidad! descripción: 8 ohms per channel 270w rms 4 ohms per channel 450w rms 2 ohms channel 550w rms frequency response: 20hz to 20khz total harmonic distortion: 05 pulgadas peso: 151% damping factor: 200 gain: 32 db input sensitivity: 116v signal to noise ratio: 104db speaker load impedance: 4 ohm (minimum) dimensiones: 19 x 5
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Input/output simultaneous i/o up to 6 inputs/6 outputs (4x4 at 192 khz) 2 mic/instrument/line inputs with xmax class a mic preamps 2 mic/line inputs with xmax class a mic preamps 2 balanced ¼” trs main outputs 2 balanced ¼” trs line outputs for monitor mixing or speaker switching 1 stereo headphone output midi in/out stereo s/pdif digital i/o meters, controls, and features direct monitoring cue mix a/b (for headphone output) front-panel level controls for main outputs true +48v phantom power for condenser microphones (global) 6 ladder-style led level meters (4 input, 2 main output) digital usb -bit resolution and 192 khz sampling rates studio one® artist included este producto es importado y garantizado por stadio argentina, importador oficial de presonus para argentinapresonus studio 68 usb interface placa audio midi ultra hd presonus presenta su nueva linea de interfaces, con sus legendarios preamps x-max llega esta nueva serielos convertidores de alta calidad en cada entrada y salida proporcionan 115 db de rango dinámico para capturar armónicos musicales complejos de forma suave y natural sin distorsión audiblelos convertidores digitales de grado audiófilo, los relojes de bajo jitter y nuestros famosos preamplificadores xmax se suman a una experiencia de grabación y audición superiorel estudio 68 es una gran opción para estudios pequeños y tiene todo lo correcto para la enseñanza de la música, también! una función cue mix a / b le permite alternar entre dos mezclas mientras se monitorea a través de los auriculares, lo cual es perfecto tanto para dj-ing en directo como para escuchar en la mezcla de monitor de un intérpreteel studio 68 funciona a una velocidad de hasta 192 khz para una mezcla y grabación de alta definiciónseis medidores led indican los niveles de entrada y salidalos preamplificadores de micrófono de clase a de xmax ofrecen un espacio libre increíblemente alto, bajos profundos, altos suaves y un sonido general rico para que escuche cada respiración, transitorios y detallados en sus grabaciones, lo que lo hace ideal tanto para la producción vocal como para el muestreo
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•balanced loop-through/mix outputone balanced mic/line input, two•1 in (throat diameter) jbl compression driver with 1“daisychain” additional eon speakers or send the mixed output to a mixing console•300 w low-frequency and 100 w high-frequency (bi-amplified) – actual power delivered to the drivers•15 in differential drive® low-frequency driver with dual neodymium magnet for light weight and reduced distortiona single piece, cast-aluminum baffle integrates the woofer frame,horn, in mic position) and amplifier heat sinkair movement in the finned ports dissipates heat – no internal or external cooling fans are required•integral 35 mm pole mount receptacle75 in titanium diaphragm and ferro-fluid coolingused jbl eon g2 15 speakers muy buen estado con su funda jbl estoy en palermo hago envios a todo el pais acepto mercado pago muy buen sonido y calidad de materiales usa jbl eon15 g2 feature: •the second generation of one of the most successful and influential professional speaker systems everrecommended pro sound use: live sound reinforcement, speech, vocals, and music playback in entertainment, a/v, and institutional venues – especially when ease of use, audio quality and portability are important factors•60° x 90°(nominal) constant directivity horn•thermomaster® total thermal management system®•multi-angle enclosure for front of house or stage monitor application•built in 3-input mixer•extended low-frequency performance delivers powerful bass down to 39 hz•tailored dynamic processing protects amplifiers and speakers from being over-driven without producing extreme changes in frequency response as level varies25 in phone line-level inputstwo-band equalization•rugged, light-weight, black co-polymer enclosure
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0 high speed audio interface - 4 input and 4 output channels up to 24 bit / 96 khz resolution line interface - 2 xlr mic preamps with 48 phantom power and gain control - 2 hi-z guitar preamps with gain control - adjustable and selectable signal monitor output with headphone amplifier - usb to midi input/output interface - digital spif input/output interface with rca coaxial jack - full duplex with compatible recording software - usb powered/9vdc adaptor powered - dimensions: 20 x 13 x 4placa de sonido profesional externa (usb) midiplus audiolinkplus 4x4 4 entradas / 4 salidas entrada y salida midi calidad de grabación 24 bit a 96 khz usada en muy buen estado, con caja original, manual y cable usb especificaciones (oficial): - class-compliant usb 24(cm) - weight: 0
$ 2000
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5 db (20 hz to 48 khz), refer to the nominal output level @ 1 khz, gain knob: min - ruido de entrada equivalente: -128 dbu (mono input channel, rs: 150 o, gain knob: max) - ruido de salida residual: -102 dbu (stereo out, stereo master fader: min) - crosstalk5 khz peaking - eq low: gain: +15 db/-15 db, frequency: 100 hz shelving - peak led: turns on when post eq signal reaches 3 db below clipping (mono) - level meter: 2x 12 -segment led meter [peak, + db] - distorsión armónica total: dbu (20 hz to 20khz), gain knob: min, dbu (1khz), gain knob: min - respuesta de frecuencia: +0características: - consola de mezclas de 20 canales - hasta un máximo de 16 entradas de micro / 20 de línea (12 mono + 4 estéreo) - 4 buses de grupo + 1 bus estéreo - 4 envíos aux (incluyendo envío para efectos) - preamplificadores de micro “d-pre” con circuito darlington invertido - compresores de mando único (1-knob) en los canales 1-8 - interruptor de atenuación (pad) en las entradas mono - eq de 3 bandas en todos los canales mono - control pan/balance en cada canal - alimentación phantom +48 v - salidas xlr balanceadas - fuente de alimentación interna universal para su uso en todo el mundo - chasis metálico especificaciones: - phantom power: +48 v - canales de entrada: 12x mono [mic/line] 4x mono/stereo [mic/line] - canales de salida: 2x stereo out 1x monitor out 1x headphone out 4x aux send 4x group out - bus: stereo: 1 aux: 4 group: 4 - pad: 26 db (mono) - hpf: 80 hz, 12 db/oct (mono/stereo: mic only) - compressor: threshold: +22 dbu to -8 dbu ratio: 1:1 to 4:1 output level: 0 db to 7 db attack time: aprox• más de 20 años de experiencia en el rubro25 msec release time: aprox• hacemos factura9 kg ----------------------------------------------------------------------- mk2 srl ----------------------------------------------------------------------- • tienda de instrumentos musicales, sistemas de sonido e iluminación profesional• envíos a todo el país por mercado envío (correo argentino), oca o transporte300 msec - eq high: gain: +15 db/-15 db, frequency: 10 khz shelving - eq mid: gain: +15 db/-15 db, frequency: mono 250 hz - 5 khz peaking, stereo 2• somos mercado lider platinum (la calificación más alta de mercado libre)yamaha mg20 mesa de mezclas de 20 canales: máximo 16 entradas de micro / 20 de línea (12 mono + 4 estéreo); 4 buses de grupo + 1 bus estéreo; 4 envíos aux (incluyendo envío para efectos)• somos un local a la calle ubicado en el centro (zona peatonal) de la ciudad capital de la rioja• 100% de calificaciones positivas avalan nuestro servicio78 db - requisitos de energía: ac v, hz - consumo de energía: 36 w - dimensiones: 444 mm (ancho) x 130 mm (alto) x 500 mm (profundo) - peso: 6• no cobramos adicional de despacho ni embalaje• formas de pago: mercado pago
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Ts line input balanced 1/4 intrs and xlr outputs selectable +48 volt phantom power 20 db pad phase reverse switch peak led zzounds is an authorized dealer of dbx productsvendo mini-pre dbx en excelente estado, con caja y transformador original single channel tube microphone preamp hand-selected, soviet-made, premium 12ax7 vacuum tube 60 db gain and -infinity to +10db of output level xlr microphone input 1/4 in
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Consola allen and heath 16 mix wizard made in england excelente consola profesional con anvil 16 mic/line inputs with balanced xlr/trs jack, and direct output 100mm faders – throughout 4-band eq – comprehensive equalisation with 2 sweepable mids 6 auxiliary sends – 2 pre, 2 switched, 2 post fade (may be reconfigured) 2 stereo returns – on trs jack dedicated mono output fader with innovative mode for control of aux fed subs independent a-b output to feed any number of applications, including a 2-track recorder, monitor foldback or speaker fills metering – twin 3-colour, 12 segment bargraphs follow selected monitor source, channel signal and peak leds onboard fx – 16 fx programs with external editing software connected via midi pluggable jumpers for user configurability mounting – desk or rack mountable, with rotating connector pod sys-link 2 output option – for connection to other allen & heath sys-link compatible consoles
$ 22000
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It is possible to install l-pad 6 on a mic stand with the dedicated accessoriespower supply:external power requirements:v power consumption:17w cabinet cabinet material:abs colour:black phisical specification height: mm/inch width: mm/inch depth: mm/inch net weight: kg/lbs somos electroinsumos sa - rafaelafrequency response:10hz ÷ 55khz total harmonic distortion (thd+n):0,03%% inputs mic:2 gain range:0db ÷ -50db phantom power +48v:yes mono line:2 gain range:+15db ÷ -35db stereo line:2 2 track:yes stereo return:1 outputs main mix:1 control room:yes aux send:1 phones:1 2 track:yes eq bands on mono channels:3 +/-15db @12khz shelving, +/-15db @2especificaciones: - 2 entradas mono + 2 entradas stereo - 1 envios de fx - eq de 3 bandas/2bandas - efectos digitales interno: camara hall brilante y calido, cuarto brilante y calidom, vocal, placas, stereo delay, rev+delay, rev+coro - fuente externa 18v ~ ma 6 channel mixing console with two transparent sound mic inputs, two stereo line inputs and the 2tk in/out, l-pad 6 is the ideal tool for one man bands, speech, background music diffusion and partiesfeatures 2 mono input + 2 stereo input 3band/2band eq 1 aux send external psu 18v~ ma electronic specs5hz +/-15db @80hz shelving bands on stereo channels:2 +/-15db @12khz shelving, +/-15db @80hz shelving auxiliary sends aux:1 post electrical specses posible instalar el l-pad 6x en un soporte de microfono con el accesorio indicadocaracteristicas: con 2 entradas de microfonos de sonido transparente, 2 entradas de linea y entradas y salidas auxiliares de tape, la l-pad 6x es la herramienta idea para los solistas, discursos, musica ambiente o fiestasgracias a un cuidado diseño italiano l-pad 6x es facil de llevar y operar en cualquier situaciónthe 16-preset internal fx dsp allows the sound to be improved, adding accurate and warm effectsel dsp de efectos con 16-preset internal permite mejorar el sonido agregando efectos precisos y calidosthanks to the accurate italian design l-pad 6 is easy to grab and handle in all the situations
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) digital audio processing zero-latency audio monitoring 4 xlr+1/4" combo inputs accommodate any source selectable phantom power available for condenser microphones each input includes a mic/line or instrument level switch 4 trs 1/4" inserts; one per input channel midi in and out jacks 1/4" balanced outs (1 & 2) with dedicated level control 1/4" balanced outs (3 & 4) with fixed level stereo/mono monitor switch headphone out with independent level control usb connection; powered usb hub with three ports size (w x d x h): 1324-bit / 96 khz (max5" x mm x 89 mm x 156 mm
$ 7000
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Fx) “d-pre” mic preamps with an inverted darlington circuit 1-knob compressors high-grade effects: spx with 24 programs 24-bit / 192khz 2in / 2out usb audio functions works with the ipad (2 or later) through the apple ipad camera connection kit / lightning to usb camera adapter includes cubase ai daw software download version pad switch on mono inputs +48v phantom power xlr balanced outputs metal chassis dimensions(w×h×d): 244 mm x 71 mm x 294 mm (94 mic / 10 line inputs (4 mono + 3 stereo) 1 stereo bus 1 aux (incl6") net weight: 210-channel mixing console max
$ 9500
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Fx) “d-pre” mic preamps with an inverted darlington circuit 1-knob compressors high-grade effects: spx with 24 programs 24-bit / 192khz 2in / 2out usb audio functions works with the ipad (2 or later) through the apple ipad camera connection kit / lightning to usb camera adapter includes cubase ai daw software download version pad switch on mono inputs +48v phantom power xlr balanced outputs metal chassis dimensions(w×h×d): 244 mm x 71 mm x 294 mm (94 mic / 10 line inputs (4 mono + 3 stereo) 1 stereo bus 1 aux (inclel mejor mixer en su categoría!!!! 10-channel mixing console max
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3-channel, 19-inch professional dj mixer 2 phono, 4 line, 2 aux, & 2 mic inputs stream flow™ led indicators on each channel mini plug input on face of mixer for use with mp3 players bass, mid & tremble control and separate volume for mics fader “q” start compatible (with select american audio cd players) high quality feather fader™ for smooth, clean crossfades (replaceable) balanced xlr outputs recessed back panel 2 zone outputs volume, bass, & treble control for second zone 3-band eq per channel (bass, mid & treble) independent pan & gain on each channel trim output adjustment on rear improved mic circuitry and longer lasting line faders dimensions: 7” l x 19” w x 38” h / 177mm x mm x 97mm weight: 7
$ 3600
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Compression driver with 1balanced trs dimensions 27 x 17 x 17(380mm) driver, dual neodymium magnet with 2 inconsultar stock antes de ofertar!!! porque lo tengo publicado en otros portales no acepto permutas no tomo nada como parte de pago estoy ubicado en núñez capital federal bafle parlante jbl potenciado eon gw oportunidad solo tengo uno solo!!! bl eon15-g2 specs active or passive active frequency response 39hz to 18khz power capacity 300 watts low-frequency power 100 watts high-frequency power maximum sound pressure level (spl) 129db nominal sensitivity input 1: -44dbu to -22dbu for rated output in mic position -12dbu to +20dbu for rated output in line position input 2: -18dbu to +20dbu for rated output impedance not applicable crossover 1(686 x 430 x 444mm) weight 46 lbsdifferential driver voice-coil high frequency driver jbl h-1 1 in5khz low frequency driver 15 in(21 kg) specialties built-in mixing capabilitiesferro-fluid cooled enclosure material rugged, lightweight, black co-polymer enclosure input connections xlr-balanced 2 1/4 in75 in diameter titanium diaphragm
$ 22000
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Unit maximum output powerpower indicator: green led peak/limit indicator: red led power consumptionpower cord (ac inlet type, 250 hz–20 khz (–10 db) maximum output levellow: ±3 db at 55 hz high: ±3 db (hf) power switch (on/off) input/output connectors (all balanced)xlr-3-31, xlr-3-32, phone (they are all connected in parallel and can be used as line outputs90° (h)/40° (v) dimension (w × h × d)mm included accessorieslf: 30 cm cone hf: 46 khz (30 db/octmic/line –36 db/+4 db input impedancemando level (nivel) este mando permite ajustar el nivel de entrada de señal de los conectores input/thru mando eq (ecualización) high (agudos): determina el nivel de la banda de alta frecuencia (a partir de 1,6 khz)black tripod pole diameterconectores input/thru se trata de conectores balanceados de tipo telefónico xlr-3-31 (hembra) y xlr-3-32 (macho); admiten entradas de nivel de micrófono a nivel de líneaal ajustar el mando en la posición óptima se produce una respuesta de frecuencia planabafles potenciados yamaha msr 400 el precio expresado es por cada bafle110 w * 0 db= v conector ac in conecte aquí el cable de alimentación incluido4 cm voice coil compression driver frequency rangeinterruptor de alimentación con este interruptor se enciende y se apaga el msr400al encenderlo, el indicador de alimentación se ilumina en verdebi-amp 2-way powered speaker speaker unit) input sensitivity121 db (1m on axis) directional angleprimero, conecte el cable de alimentación al msr400 y a continuación, introduzca el enchufe del cable de alimentación en la toma de calevel control eqgire el mando en el sentido de las agujas del reloj para incrementar el nivel y en el sentido contrario para reducirlo, en una amplitud de ±3 db5 m), owner’s manual ■ amplf: 225 w at 500 hz, thd=1%, rl=4 ù hf: 75 w at 5 khz, thd=1%, rl=16 ù crossover frequencyespecificaciones técnicas del msr 400 ■ general specifications type10 k ù controlsestán todos conectados en paralelo y pueden asimismo utilizarse como conectores de salida
$ 17500
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Consola mackie ppm 608 excelente estado undeniable power, incredibly compact full-featured 8-channel, w, ultra-light professional powered mixer with onboard 32-bit digital rmfx+ processor 800w + 800w mackie designed class-d, fast recovery power amplifiers 32-bit rmfx+ processor featuring 24 ?gig ready? reverbs, choruses, and tap delay for live applications 8 premium mackie mic preamps with 48v phantom power and trs inserts (ch 1-6) dedicated in-line compression provides increased presence and punch for vocals and instruments 2 stereo inputs with dual rca and dual 1/4-inch line inputs for flexible connectivity mackie's 3-band active channel eq with a mid sweep (100hz-8khz) on mono channels 2 built-in di boxes for direct instrument connections separate monitor and fx auxiliary sends dual 9-band graphic eq on the mains and monitor outputs for tuning rooms and monitor mixes 3-mode amplifier for ultra-flexible routing, switchable as mains stereo l/r, mono mains/monitor 1, or mon 1 & mon 2 precision passive eq for enhanced clarity and lf response with mackie passive loudspeakers rugged metal handles built into the sides of the mixer case for easy transport from gig to gig built like a tank and armoured in poly carbonate abs, the ppm features classic mackie rounded front chassis designso if the ppm rolls on its face during transport the controls are recessed and protected ultra-lightweight and portable (20lbs/ 9kg) ideal paired with two mackie s215s and a pair of c300s
$ 20000
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Unit maximum output powerpower indicator: green led peak/limit indicator: red led power consumptionpower cord (ac inlet type, 250 hz–20 khz (–10 db) maximum output levellow: ±3 db at 55 hz high: ±3 db (hf) power switch (on/off) input/output connectors (all balanced)xlr-3-31, xlr-3-32, phone (they are all connected in parallel and can be used as line outputs90° (h)/40° (v) dimension (w × h × d)mm included accessorieslf: 30 cm cone hf: 46 khz (30 db/octmic/line –36 db/+4 db input impedancemando level (nivel) este mando permite ajustar el nivel de entrada de señal de los conectores input/thru mando eq (ecualización) high (agudos): determina el nivel de la banda de alta frecuencia (a partir de 1,6 khz)black tripod pole diameterconectores input/thru se trata de conectores balanceados de tipo telefónico xlr-3-31 (hembra) y xlr-3-32 (macho); admiten entradas de nivel de micrófono a nivel de líneaal ajustar el mando en la posición óptima se produce una respuesta de frecuencia planabafle potenciado yamaha msr 400 una sola unidad especificaciones técnicas del msr 400 ■ general specifications type4 cm voice coil compression driver frequency range110 w * 0 db= v conector ac in conecte aquí el cable de alimentación incluidointerruptor de alimentación con este interruptor se enciende y se apaga el msr400al encenderlo, el indicador de alimentación se ilumina en verdebi-amp 2-way powered speaker speaker unit) input sensitivity121 db (1m on axis) directional angleprimero, conecte el cable de alimentación al msr400 y a continuación, introduzca el enchufe del cable de alimentación en la toma de calevel control eqgire el mando en el sentido de las agujas del reloj para incrementar el nivel y en el sentido contrario para reducirlo, en una amplitud de ±3 db5 m), owner’s manual ■ amplf: 225 w at 500 hz, thd=1%, rl=4 ù hf: 75 w at 5 khz, thd=1%, rl=16 ù crossover frequency10 k ù controlsestán todos conectados en paralelo y pueden asimismo utilizarse como conectores de salida
$ 19000
