Gain knob

Listado gain knob

  • 5 db (20 hz to 48 khz), refer to the nominal output level @ 1 khz, gain knob: min hum & noise level equivalent input noise -128 dbu (mono input channel, rs: 150o, gain knob: max) residual output noise -102 dbu (stereo out, stereo master fader: min) crosstalk -78 db power requirements ac v, hz power consumption 30 w dimensions w 444 mm (17300 msec eq high gain: +15 db/-15 db, frequency: 10 khz shelving eq mid gain: +15 db/-15 db, frequency: mono 250 hz – 5 khz peaking eq low gain: +15 db/-15 db, frequency: 100 hz shelving peak led led turns on when post eq signal reaches 3 db below clipping general specifications total harmonic distortion dbu (20 hz to 20khz), gain knob: min, dbu (1khz), gain knob: min frequency response +0audionet distribuidor oficial de las mejores marcas de audio yamaha mg16 consola mezcla de 16 canales mesa de mezclas de 16 canales hasta un máximo de 10 entradas de micro/16 de línea (8 mono + 4 estéreo) 4 buses de grupo + 1 bus estéreo 4 envíos aux (incluyendo envío para efectos) preamplificadores de micro “d-pre” con circuito darlington invertido compresores de mando único interruptor de atenuación (pad) en las entradas mono alimentación phantom +48 v salidas xlr balanceadas fuente de alimentación interna universal para poder utilizar la mesa en cualquier parte del mundo kit para montaje en rack incluido chasis metálico dimensiones (ancho x alto x profundo): 444 mm x 130 mm x 500 mm peso neto: 6,6 kg outline i/o phantom power +48 v input channels mono[mic/line] 8 mono/stereo[mic/line] 2 stereo[line] 2 output channels stereo out 2 monitor out 1 phones 1 aux send 4 group out 4 bus stereo: 1, group: 4, aux: 4 input channel function pad 26 db (mono) hpf 80 hz, 12 db/oct (mono/stereo: mic only) comp 1-knob compressor (gain/threshold/ratio) threshold: +22 dbu to -8 dbu, ratio: 1:1 to 4:1, output level: 0 db to 7 db attack time: approx25 msec, release time: approx

  • 5 db (20 hz to 48 khz), refer to the nominal output level @ 1 khz, gain knob: min - ruido de entrada equivalente: -128 dbu (mono input channel, rs: 150 o, gain knob: max) - ruido de salida residual: -102 dbu (stereo out, stereo master fader: min) - crosstalk5 khz peaking - eq low: gain: +15 db/-15 db, frequency: 100 hz shelving - peak led: turns on when post eq signal reaches 3 db below clipping (mono) - level meter: 2x 12 -segment led meter [peak, + db] - distorsión armónica total: dbu (20 hz to 20khz), gain knob: min, dbu (1khz), gain knob: min - respuesta de frecuencia: +0• 100% de calificaciones positivas avalan nuestro servicio300 msec - eq high: gain: +15 db/-15 db, frequency: 10 khz shelving - eq mid: gain: +15 db/-15 db, frequency: mono 250 hz - 5 khz peaking, stereo 2• somos un local a la calle ubicado en el centro (zona peatonal) de la ciudad capital de la rioja• más de 20 años de experiencia en el rubro• somos mercado lider platinum (la calificación más alta de mercado libre)• formas de pago: mercado pago• no cobramos adicional de despacho ni embalaje25 msec release time: aprox• envíos a todo el país por mercado envío (correo argentino), oca o transporte• hacemos facturacaracterísticas: - consola de mezclas de 20 canales - hasta un máximo de 16 entradas de micro / 20 de línea (12 mono + 4 estéreo) - 4 buses de grupo + 1 bus estéreo - 4 envíos aux (incluyendo envío para efectos) - preamplificadores de micro “d-pre” con circuito darlington invertido - compresores de mando único (1-knob) en los canales 1-8 - interruptor de atenuación (pad) en las entradas mono - eq de 3 bandas en todos los canales mono - control pan/balance en cada canal - alimentación phantom +48 v - salidas xlr balanceadas - fuente de alimentación interna universal para su uso en todo el mundo - chasis metálico especificaciones: - phantom power: +48 v - canales de entrada: 12x mono [mic/line] 4x mono/stereo [mic/line] - canales de salida: 2x stereo out 1x monitor out 1x headphone out 4x aux send 4x group out - bus: stereo: 1 aux: 4 group: 4 - pad: 26 db (mono) - hpf: 80 hz, 12 db/oct (mono/stereo: mic only) - compressor: threshold: +22 dbu to -8 dbu ratio: 1:1 to 4:1 output level: 0 db to 7 db attack time: aprox9 kg ----------------------------------------------------------------------- mk2 srl ----------------------------------------------------------------------- • tienda de instrumentos musicales, sistemas de sonido e iluminación profesionalyamaha mg20 mesa de mezclas de 20 canales: máximo 16 entradas de micro / 20 de línea (12 mono + 4 estéreo); 4 buses de grupo + 1 bus estéreo; 4 envíos aux (incluyendo envío para efectos)78 db - requisitos de energía: ac v, hz - consumo de energía: 36 w - dimensiones: 444 mm (ancho) x 130 mm (alto) x 500 mm (profundo) - peso: 6

  • Acepto instrumentos de mi interes en parte de pago descripción controlspower switch, select switch, tuner switch, power squeezer switch, volume knob, type switch (acoustic, overdrive, distortion, metal, metal stack, tube drive), gain knob, volume knob, bass knob, middle knob, treble knob, efx knob (chorus, flanger, phaser, tremolo), delay/reverb knobindicatorsjc clean channel, lead channel, efx, tuner

    $ 8000

  • Muy buen estado solo uso hogareño acepto guitarra electrica o bajo de menor o igual valor descripción controlspower switch, select switch, tuner switch, power squeezer switch, volume knob, type switch (acoustic, overdrive, distortion, metal, metal stack, tube drive), gain knob, volume knob, bass knob, middle knob, treble knob, efx knob (chorus, flanger, phaser, tremolo), delay/reverb knobindicatorsjc clean channel, lead channel, efx, tune

    $ 8000

  • Controlador mackie big knob studio 3 in a 2 out blue audio store mackie big knob studio el mackie big knob ha demostrado su eficacia durante más de una década como la solución de control de seguimiento ideal para proyectos y estudios profesionalesla familia completamente nueva de big knob toma lo mejor de este flujo de trabajo clásico, entregando la solución correcta para el estudio modernocontrolador de monitores de estudio | 3 fuentes de entrada | a 2 pares de monitores | interfase usb 2x2 |2 phones out | funcion mute - mono - dim

    Argentina

  • Características - marca: universal - nombre: gain fast - objetivo: gandador muscular - contenido: gain fast universal

  • Antena para vhf slim jim, marca plus gain, omnidireccional, 3,5 dbde ganancia, soporte reforzado de fundición de aluminio, instalación muy sencilla, se fabrican a una frecuencia solicitada, no requiere armado ni ajuste

  • Es un pedal hi gain muy versátil, ideal desde rock hasta metal, cuenta con dos volumenes independientes

    $ 900

  • Marshall jcm 900 hi gain dual reverbcabezal + caja 4x12 pulgadasexcelente estado y funcionamiento

    $ 65000

  • Shaker no pain no gain bpa free bpa free construidos con plastico tritan no toxicos

    Argentina

  • There's a master volume and the stereo (or mono) effects loop can be mixed in via its own knob on the front panelthe preamp was more flexible in the eq section, and it had a bit more gain than 800 solid state combos and headsboth channels are switchable using a button on the front panel or a footswitch (not included), and each channel has its own volume (and gain on lead) control and separate tone controlsa classic fixture in recording studioon the back there's stereo outputs and the stereo effects loop with a loop level switch (0db or -20db)the headphone out on the front also provides a suitable signal for connection directly to a mixer, recording equipment, or the normal input of a guitar amppreamp marshall mgp gold" dual chanel stereo stereo - made in england (con fuente marshall original incluida) un clásico!! usado unicamente en estudio de grabacion, jamas se moviódual channel guitar preamp fx,equalizer, distorsión, headphone, foot switch british made stereo rack preamp with 2 switchable channels from marshallesta es la edición goldfrom what i've read it's similar to the preamp section in the old 800 series solid state ampsno es fabricado en china, es inglesit was good enough for billy gibbons of zz top to use one in his rack back in the day

    $ 8500

  • Plug in your mic and your instrument, and let your new voice?or voices?be heard! harmonically matches any electric instrument you plug into it professional quality pitch shifting algorithm produces realistic harmonies the low & high harmony independently produces two harmony notes: 3rd and 5th 9 accessible programmable presets natural glissando gender bender knob allows for male/female formant modification built-in mic pre with phantom power & gain switch balanced xlr line output: interface directly with any mixing board or a/d converter us96dc-200bi power supply included dimensions in inches: 4the harmony processor creates 2- to 4-part harmonies directly from your vocals, in the same key as your accompanying instrumentstudio-quality reverb lets you independently add depth to your dry and harmony vocals5 (h) dimensions in mm: 146 (w) x 121 (l) x 64 (h)the focused 256-band articulate vocoder, designed by the same ems genius who made vocoding famous, features adjustable harmonic enhancement and controllable formant shiftsing, and you?ll have a troupe of backup singers following you in perfect harmonyyou have the voice boxor use the built-in vocoder to unleash classic synth-robot soundsdiana ross had the supremes, brian wilson had the beach boys, kraftwerk had the robotsthe voice box packs a multi-functional vocal synth processor into a tough and compact chassis

  • One follows the shift knob as if in the up position while the other creates a harmonywhen the bypass footswitch is pressed, the pitch fork jumps from bypass to the interval set by the shift knoba blend knob controls the mix of the dry signal and the effected signal, and an exp jack enables the player to control pitch and glissando with an expression pedalquick specs - transposes over a +/- three octave range - three shift modes: up, down or dual - 11-position shift knob selects the transposition interval - exp input lets you control pitch shift or glissando via optional expression pedal - latch and momentary modes affect how the footswitch and exp input behave - comes with ehx 96dc-200ma power supply and also runs on a 9volt batteryan 11-position shift switch selects the maximum transposition interval ranging from d (detune), a shift of 17 cents, through minor 2nd, major 2nd, major 3rd, perfect 4th, perfect 5th, major 6th, minor 7th, 1 octave, 2 octaves and 3 octavesthe pitch fork comes equipped with an ehx 9the pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltagethe pitch fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneouslybe/s2o2xarfje0?list=pl0nqqfcfq-6aajew3g-3orrmmptfnrqb_[/embed] the controls are straightforward and intuitivethe latch button selects latch or momentary mode which affects how the footswitch and exp input behavein momentary mode the exp input controls glissando rate for the pitch fork’s footswitchdual mode settings include m3 up + p5 up, p5 up + 1 oct down, 1 oct up + 1 oct down and many others6dc-200ma ac adapter, can also run off a 9v battery - dimensions in inches: 2in latch mode, the footswitch toggles between effect on and buffered bypass each time it’s pressed and the exp input continuously varies pitchwhen the footswitch is released the pitch will return to unity at the same ratethe default glissando rate is 60 milliseconds when nothing is plugged into the exp input1 (h) - dimensions in mm: 70 (w) x 115 (l) x 54 (h)in momentary mode the effect is only on while the footswitch is depressed and when it is released the pitch fork goes into bypassthe amount of time it takes to reach that new note is the glissando ratea three position toggle switch controls whether the pitch is transposed up, down or boththat glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedalin latch mode the exp input controls pitch shift amount, ranging from unity to the interval set by the shift knob, and pitch varies continuously throughout the expression pedal’s range[embed]https://youtuin dual mode, two pitch-shifted signals are output

  • Inputs 1/4" input jack input impedance 1 milohm outputs 1/4" output jack 1/4" output/bypass jack output impedance 1 kilohm controls boost button timer adjust knob range adjust knob boost adjust knob q knob fine tuning knob rocker adjust screw power supply 9 vdc, 100ma regulated battery type 1 x 9-volt dimensions (wxdxh) 4comienza con un control óptico que no tiene partes móvilescon él, puede marcar un wah amplio y sutil o el sonido "wakka wakka" ejemplificado por el tema de shaft, o cualquier punto intermedioesto reduce enormemente el desgaste y, por lo tanto, extiende la vida útil del pedalboost circuit el circuito de aumento ajustable agrega sobrecarga a su wah, dándole al pedal un sonido mucho más dinámico y excitadorango de frecuencia ajustable el rango de frecuencias del hellbabe puede variarse, lo que permite su uso con un bajomecanismo óptico las ollas mecánicas se gastan un poco cada vez que las usascontinúa agregando una función de boost que proporciona un impulso de señal saturado para que realmente puedas "traer el funk"9 x x 99 x 254mm) weight 1la construcción de calidad y la electrónica de precisión hacen de hellbabe una excelente opción de wah a un precio asequiblebehringer hb01 hellbabe wah-wah pedal el behringer hellbabe wah-wah pedal es un wah completo con extras que los pedales más caros no tienenel control q le proporciona un control preciso sobre la forma del filtro, produciendo efectos de tipo vocalq control el control q de hellbabe ajusta la forma del pico del filtro wahcon el control óptico de hellbabe, la degradación de las piezas de trabajo se elimina por completo

    $ 1990

  • gain control with peak led controls the level of input gainnote: this control works in conjunction with input gain control (3)the input gain control should be used to set the threshold level and the depth control to select the amount of compressionmarshall dynamic bass system ] amplificador marshall para bajo modelo dynamic bass system de 200 w rms, amplificador en perfecto estado y funcionamientobright switch push switch to add brightness and attack to the top end of the primary eqthe various positions in between offer numerous combinations of the brighter more percussive solid-state tone with that of warmer more compressed valve tonetiene 7 bandas de ecualización, control de mezcla de pre, compresor, entrada hi y lowdeep switch push switch to add extra bottom to the low end of the primary eqlow primary eq control rotary control that gives + or - 15db cut and boost of the lower end of the primary eqpower switch on off mains power switch with led indicator and featuring soft start circuitry to minimise switch on and switch off noisehigh primary eq control rotary control that gives + or - 15db cut or boost of the primary eq upper frequenciescompression on/off push switch push switch which activates the compression circuitequipo de finales de la década de los 90, alrededor de , está revisado y funcionando perfectamente, no tiene nada fuera de lugarcompression threshold indicator led which indicates when the compression threshold is reached3no permuto, solo venta 1for optimum signal level the peak led should light occasionally(the graphic is also footswitchable by any standard on/off footswitch)lo-sensitivity input input for the connection of bass guitars with higher output levelshi-sensitivity input input for the connection of bass guitars with lower output levelsgraphic on/off switch and indicator push switch to access or by-pass the graphic with led indicating on/off statusturned fully clockwise the signal is routed through an ecc83 pre-amp valve circuitpre or post eq selection switch selection switch to offer a studio or pa engineer with the choice of direct signal either before or after eq and compression has been addedvolume control rotary control to set the overall output level of the amplifierfor the footswitch to function the front panel switch must be in the ‘off’ positionpre-amp blend control this control fully anti-clockwise routes the signal through purely solid state input pre-amp circuitrycompression depth control rotary control for selecting the depth of compressiongraphic equaliser 7 band graphic equaliser offering + or - 15db cut or boost (centre flat) of the frequencies that proved to be the most effective for bass reproduction in our exhaustive listening tests

    $ 16000

  • There is a gain “boost” switch associated with the guitar inputs which boosts gain by 26db to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and softan extremely high input impedance ensures loading on pick-ups is minimal and a class a fet (field effect transistor) circuit powered from 48v is employed to give the valve-like gain stagefeature summary 8 mic/line inputs, 2 with class a fet high impedance 60mm professional quality faders responsive 3-band, swept mid eq with musiq configurable usb stereo audio in/out 1 pre-fade aux send 1 fx send 2 stereo inputs separate 2-track record outputs 16 internal effects xlr main stereo outputs with inserts comprehensive monitoring 48v microphone phantom power di level switching with gain boost neutrik xlrs and 1/4 inch jacksthese effects are available nowhere else at this price point – this quality and integration is only available from the zed-fxzedfx overview ¿live or in the studio, zedfx is a compact, portable mixer that is ideal for small bandsthe way this has been implemented on zed is super-flexible and super-easy! no longer do you need to fiddle around the back of your pc to get to the soundcard inputs, only to find that the levels are all wrong and noisyzedfx comes with configurable usb audio in/out, making it easy to capture a stereo recording at the gig or in the studiothese inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmththere is one-stop navigation and editing – in fact, it’s just as easy as using effects pedalsguitar di zedfx’s pre-amps are similar in design to our mixwizard range of mixers, but with a twist! inputs 7 & 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickupthe mixer is equipped with professional xlr main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning fxall this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and charactertwo stereo inputs are provided for mp3/cd players or keyboardsfor example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-inthese newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head ampswitches and connection through jack socket terminals provide different send/return configurations:- send options: 1) main mix left + right (post master level) 2) aux + fx bus (aux is a pre-fade send, fx is a post-fade send) 3) record bus left + right (separate stereo bus to main mix) return options: 1) to playback input (through jack socket break contacts) 2) to stereo 2 channel (through jack socket break contacts) musiq zedfx features a responsive 3-band, swept mid frequency eq design which utilises musiq – with optimised slope (or q factor) for equalising individual instrumentszed effects are easily controlled using 3 buttons with 9 display ledsour dsp engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performanceusb audio flexibility getting audio to and from a computer easily is now a common requirement for live sound and music productionmost important of all, zedfx lives up to the audio and build quality standards that have made allen & heath one of the most trusted names in professional audio for more than 40 yearstwo of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for di boxesto alter effects parameters, the tap button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on plate, or the depth on chorusjust plug in a usb lead to your zed, select the usb routing on the mixer and the device on your computer and that’s it! cd quality audio to and from your pc or maczed-fx zedfx has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality fx at their gigs and on their recordingsthis mixer is a guitarist’s dream

  • Interfaz de audio usb 24-bit/48khz monitorización de audio con latencia cero 2 entradas combo xlr y jack de 6,3mm para micrófono/línea/instrumento conmutador thomann de alimentación phantom de 48v medidor led multicolor knob de volumen principal knob de mezcla para fuente usb y directa 2 salidas principales jack de 6,3mm 1 salida de auriculares estéreo carcasa de metal compacto alimentado por bus usb incluye software dimensiones: 52,6 x x mm peso: 1,04kgcon caja, manuales y cable usb - lista para completar un home studio de grabación

    $ 2300

  • *2 input 1l supports high impedancecontrollerssens 1l, 2r knobs hi-z switch 48v switch output knob phones knob power source switch direct monitor switch ground lift switchindicatorlevel indicators (1l, 2r) power indicator hi-z indicator 48v indicatorcharacteristicsnominal input levelinput (1l, 2r) connectors (xlr type): - dbu input (1l, 2r) jacks (1/4-inch trs phone type): -44--+4 dbumaximum input levelinput (1l, 2r) connectors (xlr type): +2 dbu input (1l, 2r) jacks (1/4-inch trs phone type): +18 dbunominal output leveloutput (1l, 2r) jacks: -6 dbu (impedance balanced)maximum output leveloutput (1l, 2r) jacks: +8 dbu (impedance balanced)phones maximum output power20 mw + 20 mw (l + r, 47 ohms load)headroom14 dbinput impedanceinput (1l, 2r) connectors (xlr type): 4 k ohms or greater (balanced) input (1l, 2r) jacks (1/4-inch trs phone type): 15 k ohms or greater (balanced) input (1l) jack (1/4-inch phone type * k ohms or greater *3 when the hi-z is turned onoutput impedanceoutput (1l, 2r) jacks: 2 k ohms (balanced) phones jack: 47 ohmsresidual noise levelinput (1l, 2r) --> output (1l, 2r): -94 dbu typinput terminated with 600 ohms, ihf-a, typ)dynamic rangead block input (1l, 2r) jacks: 104 db typ1 khz, 48 khz, 96 khz, 192 khzinterfacehi-speed usb midi in, outconnectorsinput (1l, 2r) connectors: xlr type (balanced, phantom power: +48 v, 6 ma max *1) input (1l, 2r) jacks *2: 1/4-inch trs phone type (balanced) phones jack: stereo 1/4-inch phone type output (1l, 2r) jacks: 1/4-inch trs phone type (impedance balanced) midi (in, out) connectors usb port: usb type b dc 5v port: usb type micro b *1 current value per channel0 kg 2 lbs 4 ozaccessoriessetup guide leaflet(sens 1l, sens 2r knobs: min) da block output (1l, 2r) jacks: 109 db typ1, windows(r) 10 apple mac os x or later apple ios 9 or laterdimensions145 (w) x 165 (d) x 46 (h) mm 5-3/4 (w) x 6-1/2 (d) x (h) inchesweight (main unit only)1systemnumber of audio record/playback channelsrecord: 2 channels playback: 2 channelssignal processingpc interface: 24 bits ad/da conversion: 24 bitssampling frequencyad/da conversion: 44otherpower supplysupplied from the computer via usb, dc 5vcurrent draw500 maoperating systemmicrosoft(r) windows(r) 7, windows(r) 8, windows(r) 8

  • Mooer shimverb pro - pedal reverb stereo reverb digital estéreo 5 modos de reverb: room, hall, church, plate y spring footswitch 'shimmer' para añadir armónicos 'shimmer' al sonido de thomann la reverb interruptor de encendido y apagado de la reverb controles de nivel por separado para sonido dry/wet controles para recorte de graves y agudos controles para predelay y decay knob de 'shimmer' para cantidad de ajuste del efecto 'shimmer' knob de reverb para escoger el tipo de reverb modo de preset: almacena un preset con ajustes favoritos de delay y rellamada en cualquier momento interruptor de octava que añade una octava al sonido 'shimmer' interruptor de encendido/apagado de 'trails' de efectos (trails on: el efecto decae después de desactivar el pedal con bypass con búfer / trails off: sin efecto de decaimiento después de desactivar el pedal con bypass auténtico) frecuencia de muestreo de 441k precisión de muestra de 32 bit opciones de entrada y salida: entrada mono a salida mono / entrada mono a salida estéreo / entrada estéreo a salida estéreo 2 entradas mono de 63mm 2 salidas mono de 6

  • Mxr evh phase 90 features: updated through collaboration between eddie van halen and dunlop blue led red, white, and black stripe graphics modeled after eddie's famous frankenstein guitar simple, single knob operation wide range of sounds works well with guitar, bass, keyboards, and vocals knob varies speed from subtle to fast, watery warble pedal type phaser inputs 1 x instrument outputs 1 x 1/4

  • Zona sur #características cápsula de 1" grabación con calidad de estudio para sobremesa interfaz de audio integrado (16bit/48khz) patrón polar cardioide compatible con mac, pc y ipad (requiere kit de conexión de cámara opcional) respuesta en frecuencia: hz spl máximo: 110db rango dinámico: 96db conversión de impedancia jfet en tarjeta de circuito smd salida de auriculares jack estéreo de 3,5mm con knob de volumen knob de balance para señal de micrófono directa y reproducción desde el ordenador alimentado por bus usb incluye filtro anti-pop metálico, soporte trípode de sobremesa, anillo de montaje, bolsa de almacenamiento y cable usb de 6m#vendo_urgente $ #tomo_dos_15_en_parte_de_pago⛔⛔⛔⛔ bsas

    $ 8500

  • gain – channel sensitivity adjustment overall controls blend – signal level balance adjustment between channels clean and drive master volume – bc-1’s overall output level adjustmentclean channel shapes the classic bass guitar sound characteristic for «old» amplifiers and allows both velvet transparent sound and slight compressed overdrive depending on the position of gain controlcontrols clean level – output signal level adjustment high – high frequencies adjustment mid – middle frequencies adjustment low – low frequencies adjustment gain – channel sensitivity adjustment drive level – output signal level adjustment high – high frequencies adjustment mid – middle frequencies adjustment by means of rejecter filter freq«bass crunch» bc-1 preamp is based on a two-channel circuitlow – low frequencies adjustment predi out – balanced output intended for connection of devices equipped with balanced inputsnotch – rejecter filter switch before drive stageconnections right panel input – instrument input of the preamp send fx – signal send to aux effect return fx – aux effect signal return left panel output – direct output to power ampfootswitch drive – drive channel on/off led – drive channel on indicator footswitch hi/lo – drive channel increased sensitivity on/offnotch – cutout frequencies switch (rejecter filter) 500hz, 330hz, 230hzthe wide adjustment range in combination with rich functional possibilities that can only be found in a stomp box have considerably increased the preamp versatilityled – hi/lo mode with drive channel increased sensitivity on indicatorpower dc 18v – for connection of power adapter battery compartment – for two 9v batteries installationthe adjustable 3-position mid-range filter combined with deep adjustments along the frequency ranges offer a musician its rich possibilities related to shaping of the overdriven tone rangethe high mode provides additional possibilities in terms of the range enrichment towards higher sound density and aggressivenessamt bc-1 “bass crunch” – 2-channel jfet bass guitar preamp features overview we are happy to present one of the most versatile bass guitar preamps on the market in a such small package – amt electronics bc-1 “bass crunch”! the preamp has been built on the basis of the custom technology by ¿¿¿ using jfet emulation of the vacuum tube range clipping– direct output to mixer’s line inputdrive channel contains a number of over amplification stages and is intended for obtaining the modern sound from clean to totally overdriven onectrl out – amt ts-2midi aux convertors control output cab

  • gain range: 50 dbvelocidades de muestra admitidas: 44thd + n: - ruido ein: - nivel máximo de entrada: +4 dbuthd + n: - nivel máximo de salida: > + 10dbuespecificaciones técnicas: sistemas operativos compatibles: - windows 7 en adelantethd + n: - nivel máximo de entrada: +13 dbu2 khz, 96 khz, khz, 192 khzimpedancia: 1m ogama dinámica: 106 db (ponderado a)impedancia: 3k osalidas de auriculares: - gama dinámica: 107 db (a-ponderado)impedancia: 10 osalidas de línea: - salidas de rango dinámico: 106 db (ponderado a)entradas de instrumento: - respuesta frecuencia: 20 hz - 20 khz ± 0mac os en adelantenivel de salida máximo (0 dbfs) salidas equilibradas de línea / trs: +10 dbuentradas de línea: - respuesta frecuencia: 20 hz - 20 khz ± 0entradas de micrófono: - respuesta frecuencia: 20 hz - 20 khz ± 0thd + n: - nivel máximo de entrada: +22 dbu1 khz, 48 khz, 88salidas thd + n: - impedancia (salidas trs): 94 o (equilibrado)impedancia: 52k o

    $ 10000

  • gain rango de ganancia de línea: 20db 700mv in @ 1 khz relación señal/ruido: 111db distorsión thd+n: % respuesta en frecuencia: 20hz- 20khz ±1gain @ 1khz before clipping rango de ganancia de micrófono: 25db 50mv in @ 1khz entrada de línea estéreo: ¼¨ trs balanceada impedancia de entrada de línea: 20ko balanceada màximo nivel de entrada de línea: 19dbu – 6gain salida principal: ¼¨ trs balanceada impedancia de salida principal: 120o desbalanceada máximo nivel de salida principal: 28dbu estéreo / 22dbu canal simple salida de auriculares: ¼¨ trs desbalanceada máximo nivel de salida de auriculares: 22dbu conectores de salida potenciada: speakon formatos de audio compatibles de reproductor mp3: mp3, wav, wma dsp conversor: 24 bit sygma-delta frecuencia de muestreo: 446ko balanceada máximo nivel de entrada de micrófono: 0consola potenciada novik nvk p usb 12 canales w con su sistema de grabacion podes grabar directamente a un pen drive desde su entrada usb!!! principales características potencia rms por canal: 300w @ 4o potencia programa por canal: 600w @ 4o potencia pico por canal: w @ 4o dsp con efectos internos eco/reverberación reproductor mp3 incluido con pantalla y ecualización individual compatible con formatos de audio mp3/wav/wma ecualizador de 3 bandas por canal ecualizador de 7 bandas en el canal principal salida a monitor a través de auriculares con función pfl 8 canales con alimentación phantom +48v y preamplificadores de micrófonos 2 canales estéreos potenciada para conectar directamente a los parlantes faders cómodos para una mezcla balanceada salida a monitor a través de auriculares con función pfl función pfl y silencio en todos los canales led de indicación pico en todos los canales faders dobles para control de la mezcla l+r especificaciones técnicas entrada de micrófono: xlr balanceada impedancia de entrada de micrófono: 23dbu – 800mv min3khz, 16khz ±12db ecualizador por canal: low 80 hz ±15db / mid 22db ecualizador principal: 63hz, 200hz, 500hz, 1khz, 4khz, 61 khz mínima carga de impedancia por canal: 4o alimentación: 110v/220v ~ 60hz/50 hz consumo: 710w peso bruto: 10 kg electromaga srl somos mercado líder platinum nos caracterizamos por nuestra confiabilidad, garantía y calidad en nuestra amplia cantidad de productos desde el año estamos en el mercado del audio car y audio pro contamos con mano de obra especializada en continua capacitación con resultados 100% positivos tu compra con electromaga srl esta garantizada recordá que la vida es mejor con música!!!5khz±15db / high 12khz ±15db salida de envío auxiliar: ¼¨ ts desbalanceada impedancia de salida de envío auxiliar: 120o desbalanceada máximo nivel de salida de envío auxiliar: 22dbu entrada de retorno auxiliar: tipo ¼¨ ts desbalanceada impedancia de retorno auxiliar: 10ko desbalanceada máximo nivel de entrada de retorno auxiliar: 19dbu – 6

  • gain - rango de ganancia de línea: 20db 700mv in @ 1 khz - relación señal/ruido: 111db - distorsión thd+n: % - ecualizador principal: 63hz, 200hz, 500hz, 1khz, 4khz, 6gain @ 1khz before clipping - rango de ganancia de micrófono: 25db 50mv in @ 1khz - impedancia de entrada de línea: 20ko balanceada - máximo nivel de entrada de línea: 19dbu – 6gain - salida principal: ¼¨ trs balanceada - impedancia de salida principal: 120o desbalanceada - máximo nivel de salida principal: 28dbu estéreo / 22dbu canal simple - salida de auriculares: ¼¨ trs desbalanceada - máximo nivel de salida de auriculares: 22dbu - conectores de salida potenciada: speakon - conversor: 24 bit sygma-delta - frecuencia de muestreo: 441 khz - mínima carga de impedancia por canal: 4o - alimentación: 110v/220v ~ 60hz/50 hz - consumo: 690w electromaga srl somos mercado líder platinum nos caracterizamos por nuestra confiabilidad, garantía y calidad en nuestra amplia cantidad de productos desde el año estamos en el mercado del audio car y audio pro contamos con mano de obra especializada en continua capacitación con resultados 100% positivos tu compra con electromaga srl esta garantizada recordá que la vida es mejor con música!!!3khz, 16khz ±12db - ecualizador por canal: low 80 hz ±15db / mid 2consola mixer potenciado novik nvk 800p usb sd 8 canales audio profesional si ves esta publicacion es porque contamos con stock disponible con su sistema de grabacion podes grabar directamente a un pen drive desde su entrada usb!!! especificaciones técnicas - potencia rms por canal: 300w @ 4o - potencia programa por canal: 600w @ 4o - potencia pico por canal: w @ 4o * dsp con efectos internos eco/reverberación * reproductor mp3 incluido con pantalla y ecualización individual * compatible con formatos de audio mp3/wav/wma - entrada de micrófono: xlr balanceada - entrada de línea estéreo: ¼¨ trs balanceada * ecualizador de 3 bandas por canal * ecualizador de 7 bandas en el canal principal * salida a monitor a través de auriculares con función pfl * 4 canales con alimentación phantom +48v y preamplificadores de micrófonos - respuesta en frecuencia: 20hz- 20khz ±13dbu – 800mv min6ko balanceada - máximo nivel de entrada de micrófono: 02db * 2 canales estéreos * potenciada para conectar directamente a los parlantes * faders cómodos para una mezcla balanceada * salida a monitor a través de auriculares con función pfl * función pfl y silencio en todos los canales * led de indicación pico en todos los canales * faders dobles para control de la mezcla l+r especificaciones técnicas - impedancia de entrada de micrófono: 25khz±15db / high 12khz ±15db - salida de envío auxiliar: ¼¨ ts desbalanceada - impedancia de salida de envío auxiliar: 120o desbalanceada - máximo nivel de salida de envío auxiliar: 22dbu - entrada de retorno auxiliar: tipo ¼¨ ts desbalanceada - impedancia de retorno auxiliar: 10ko desbalanceada - máximo nivel de entrada de retorno auxiliar: 19dbu – 6

  • 0 high speed audio interface - 4 input and 4 output channels up to 24 bit / 96 khz resolution line interface - 2 xlr mic preamps with 48 phantom power and gain control - 2 hi-z guitar preamps with gain control - adjustable and selectable signal monitor output with headphone amplifier - usb to midi input/output interface - digital spif input/output interface with rca coaxial jack - full duplex with compatible recording software - usb powered/9vdc adaptor powered - dimensions: 20 x 13 x 4placa de sonido profesional externa (usb) midiplus audiolinkplus 4x4 4 entradas / 4 salidas entrada y salida midi calidad de grabación 24 bit a 96 khz usada en muy buen estado, con caja original, manual y cable usb especificaciones (oficial): - class-compliant usb 24(cm) - weight: 0

    $ 2000

  • Scoop your mids or tighten your hard rock/metal tone in front of a high gain amplifierdescription whether you’re looking to give your sound a bit of a boost or trying to find harmonically rich heavy gain with warm tube character, the 805 overdrive provides the versatility needed for any type of music – blues, country, rock, metal, and everything in betweenthe 3-band active eq, delivers unprecedented control -you can have a smooth, lyrical bluesy tone one minute, and crushing modern metal crunch the nextsummary a classic overdrive gives a subtle boost, fat crunch, or a searing tone to your solosgive that solo a searing boost that cuts perfectly through the mix and give your low end rhythm parts controlled crunchbeing a true-bypass pedal, it will feel at home on whatever pedalboard you choose3-band active eq shapes your tone just the way you wantthe 805 is capable of any of these and morethe 805 is designed to be the perfect overdrive for pushing the front end of an already distorted amp, giving you plenty of output and tone-shaping capability, but can also give your clean tone a controlled boost

  • Los controles gain boost y bottom especiales te permiten moldear el sonido para conseguir el máximo volumen y un remate de la gama de bajosboss md 2 pedal de efectos los circuitos distortion y gain boost dobles del md-2 llevan los sonidos de distorsión gruesos y potentes a un nivel completamente nuevoconfirmar stock siempre antes de ofertar!!

  • Made in usa - excelente estado -parlante scorpion -80 watts de potencia rms -equalizador gráfico 7 bandas -2 entradas: high gain / low gain -ganancia de pre-amplificador (controlar saturaciones) -switch de brillo -2 filtros shelving (low y high) -control de volumen master -jacks de envio y retorno a chorus-effect -jacks de salida de pre y entrada a etapa de potencia -jack de salida a auriculares

    $ 7500

  • • guaranteed performance at 150 mhz, 28 vdc output power = 45 watts power gain = 17 db (min) efficiency = 60% (min) • excellent thermal stability, ideally suited for class a operation • facilitates manual gain control, alc and modulation techniques • 100% tested for load mismatch at all phase angles with 30:1 vswr • low crss – 8 pf @ vds = 28 v • gold top metal x3 unidadesvendo transitstores mrf171a rf mosfet n–channel enhancement–mode mosfet designed primarily for wideband large–signal output and driver stages from mhz

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