Output level meters meter range selector dual output level

Listado output level meters meter range selector dual output level

  • Illuminated dual vu output level meters meter range selector dual output level controls heavy duty fan cooling clip circuitry w/led indicator stereo/mono selector a/b speaker selectors dual xlr/ 1/4'' combo jack and rca inputs 1/4'' and binding post speaker connections front panel headphone jack switched ac accessory outlet ground screw rack mountable thd: 01% at rated output power frequency response: 10 hz-50 khz s/n ratio: 90 db voltage selector dimensions: ''h x ''w x 12''d weight: lbs sold as: unit weight: lbs

    $ 7500

  • Input/output simultaneous i/o up to 6 inputs/6 outputs (4x4 at 192 khz) 2 mic/instrument/line inputs with xmax class a mic preamps 2 mic/line inputs with xmax class a mic preamps 2 balanced ¼” trs main outputs 2 balanced ¼” trs line outputs for monitor mixing or speaker switching 1 stereo headphone output midi in/out stereo s/pdif digital i/o meters, controls, and features direct monitoring cue mix a/b (for headphone output) front-panel level controls for main outputs true +48v phantom power for condenser microphones (global) 6 ladder-style led level meters (4 input, 2 main output) digital usb -bit resolution and 192 khz sampling rates studio one® artist included este producto es importado y garantizado por stadio argentina, importador oficial de presonus para argentinalos convertidores digitales de grado audiófilo, los relojes de bajo jitter y nuestros famosos preamplificadores xmax se suman a una experiencia de grabación y audición superiorlos preamplificadores de micrófono de clase a de xmax ofrecen un espacio libre increíblemente alto, bajos profundos, altos suaves y un sonido general rico para que escuche cada respiración, transitorios y detallados en sus grabaciones, lo que lo hace ideal tanto para la producción vocal como para el muestreolos convertidores de alta calidad en cada entrada y salida proporcionan 115 db de rango dinámico para capturar armónicos musicales complejos de forma suave y natural sin distorsión audibleseis medidores led indican los niveles de entrada y salidael estudio 68 es una gran opción para estudios pequeños y tiene todo lo correcto para la enseñanza de la música, también! una función cue mix a / b le permite alternar entre dos mezclas mientras se monitorea a través de los auriculares, lo cual es perfecto tanto para dj-ing en directo como para escuchar en la mezcla de monitor de un intérpreteel studio 68 funciona a una velocidad de hasta 192 khz para una mezcla y grabación de alta definiciónpresonus studio 68 usb interface placa audio midi ultra hd presonus presenta su nueva linea de interfaces, con sus legendarios preamps x-max llega esta nueva serie

  • Programas: presets, 50 usuarioalimentación: 12v dcpedal de control y 2 pulsadoressu poderoso cuerpo de metal confrontará todas las situacionessaluda audio: output/phones jack (stereo/mono uso dual), control level, conmutador amp/lineotros: conector dc12v, interruptor standbymultiefectos vox tonelab st pedalera multi-efectoprocesado de señal: conversión a/d - d/a 24-bit, frecuencia de muestreo 44entrada audio: input jack, aux in jacksus treinta y tres diferentes modelos de amplificadores, una amplia versatilidad de gabinetes y efectos, hacen que tú y tu guitarra pasen al siguiente nivelposee una gran gama de potentes sonidos: desde los grandes amplificadores hasta los mini-combos, unidades multi-efectos, modernos tonos de high-gain, sonidos clásicos vintage y treinta y tres simulaciones de amplificador, incluyendo los nuevos modelos creados por voxtipos de efectos: tipos de pedal 11, tipos de mod/delay 11, tipos de reverb 3incluye: adaptador ac (dc12v) el compacto y poderoso procesador tonelab st de vox está destinado para guitarristas en movimientodimensiones: 270 (h) x 180(d) x 70(h) mmmodelos de amplificador: 33 modelos de pantallas: 11el tonelab st mantiene las estupendas características de las legendarias válvulas valvetronix, incorpora una válvula 12ax7 para claramente imitar la interacción que se produce en un amplificador de válvulas que un circuito digital no podría hacer, esto distingue el tonelab st de otros equipos multi-efectosconsumo: 540ma(12v)noise reduction: 1afinador: rango: a0 - e6, calibración: a= hzuna válvula triode 12ax7/ecc83usb: conector usb (type b)

    $ 3200

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  • Reloj inteligente zed level up smart watch reloj inteligente zed level up smart watch

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  • Reliable xlr output connectors the main stereo outputs and mono output feature rugged, reliable xlr type connectorschannel peak indicators are provided to facilitate optimum level matching12-segment level meters four high-visibility 12-segment meters are switchable to allow precise visual monitoring of levels on the main stereo bus, the four group buses, the stereo 2-track input, the pfl (pre-fader listen) bus, or the afl (after-fader listen) busvariable lpf on the mono output a low-pass filter with a roll-off frequency that can be varied from 80 to 120hz is provided on the mono output for convenient connection and optimum matching with a subwoofercomprehensive output connectors the mixer's main stereo program signal is simultaneously delivered to the main stereo outputs (xlr jacks), the sub-stereo outputs (phone jacks), the rec out connectors (rca pin jacks), the mono out (xlr jack), and the headphones output (stereo phone jack)so even if you need to feed a front-of-house system, monitors, a subwoofer, a master recorder, and other output lines simultaneously, the mgfx or mgfx will handle itinput gain controls and pad switches allow optimum matching with the widest possible range of sources: microphone levels can be adjusted from -60 db to +10 db, while line levels can be adjusted from -34 db to +10 dbmid-sweep 3-band mono channel eq, 4-band stereo channel eq the mono channels on both the mgfx and mgfx offer advanced eq facilities: 3-band eq with a 10 khz shelving high control, a 250 hz ~ 5 khz sweepable mid control, and a 100 hz shelving low controlthe mg-series mixers feature low-noise, high-performance microphone preamplifiers that will bring out the best in dynamic and condenser type microphonestwo effect sends are provided in addition to the six aux sendsinsert i/o points are also provided on the stereo bus (l and r) and on the four group buseseffect programs include reverb, delay, pitch change chorus, phaser, voice doubler, and distortionindependent 2-track rca pin jack inputs are also provided for input from cd players or other stereo line-level sourcesindependent phone-jack outputs are also provided for group buses 1 through 4versatile inputs the monaural inputs provide both balanced xlr and phone jacks - that's channels 1 through 16 on the mgfx, and channels 1 through 24 on the mgfxserious consoles for live sound or installations the mgfx and mgfx are full-featured sound reinforcement consoles with capacity and capabilities that can handle demanding live sound applicationstwo of the stereo inputs offer phone jacks as well as rca pin jacksswitchable phantom power the mg mixer microphone preamplifiers provide 48-volt phantom power for studio-quality condenser microphonesample sends and returns all input channels have a total of six auxiliary sends: aux send 1 through 4 can be switched for pre- or post-fader operation, while aux sends 5 and 6 are post-faderchoose the 24-input mgfx or 32-input mgfx according to the number of sources you need to handlethat's a total of 14 buses in all for exceptionally flexible signal routingmulti-bus configuration with a total of 14 buses in addition to the main stereo bus that feeds the console's main outputs, the mgfx and mgfx feature four group buses for convenient sub-mix grouping, six auxiliary buses for monitoring and external effect send, and send buses for the two internal effect processorsinsert i/o mono input channels feature insert patch points that can be used to insert external signal-processing devices into the channel's signal pathtop-quality microphone preamps microphone preamplifiers play a vital role in determining the final sound of your mixesthe microphone inputs also have switchable 80 hz high-pass filters for low-frequency noise reductionhigh-performance digital effect processors built in both the mgfx and mgfx contain a powerful pair of yamaha digital signal processors that provide a useful selection of 16 advanced digital effectsthe stereo channels feature 4-band eq with 10 khz high, 3 khz hi mid, 800 hz lo mid, and 100 hz low controlsextensive routing capability is also provided for monitoring and external signal processing, as required by your applicationthat's more than sufficient send capability to handle monitoring and effects for all but the most complex applicationsthe effects include editable parameters so they can be customized as required, and processorphantom power can be switched on or off for in 8-channel groupsall other features are the same, including two renowned yamaha spx effect processors built inmicrophone preamplifiers are provided on channels 1 through 16 of the mgfx, and on channels 1 through 24 of the mgfxhigh input capacity for live sound the mgfx has 16 mono inputs and 4 stereo inputs, while the mgfx has 24 mono inputs and 4 stereo inputsnot only do these connectors lock to minimize the chance of accidental disconnection, but they provide superior electrical contact for long-term dependability as wellthe channel send knobs and bus assign switches make it easy to send the signal from each channel to the stereo, group, internal effect, and auxiliary buses as requiredtwo stereo aux returns are provided in addition to the internal effect returns, providing an extra margin of return versatility for wet monitoring, for example

  • 0 class dual digital outputs from one type-c connector integrating s/pfif and usb audio output into usb type-c port an ideal portableit can output pcm and dop to an external dac via the dual digital output, and can function as a usb dac when connected to a computer1 khz; 20 hz–20 khz, a-weighted) dynamic range: 108 db (20 hz–20 khz, a-weighted) snr: 108 db (20 hz–20 khz, a-weighted) output impedance: = 1 ohm line out output level: 15–2a charger, not included) external storage: tf (up to 256 gb), usb otg output connectors: 31 khz; 20 hz–20 khz, a-weighted) dynamic range: 108 db (20 hz–20 khz, a-weighted) snr: 108 db (20 hz–20 khz, a-weighted) coaxial out rated output level: 0*con este combo se va estos flor de auriculares kz-zs1-in-ear-hifi-dual-dynamic-unit-heavy-bass- suena de la ostias, hifi dual dynamic, viene así como esta sin detalles, sin caja solo el auricular y su gomita instalada, tema caja los deje `por tema aduana5vp-p at 75 ohms rated output impedance: 75 ohms usb dac dsd: up to dsd128 (native or dop), native dsd decode at dop mode pcm: up to 192 khz/24 bit windows: supported (cayin usb audio driver required) mac os x: supported (driver not required) android: not supported ios: not supported usb mode: asynchronized usb audio 2*no incluye tarjeta de memoria0 v at 10 kohms frequency response: 20 hz–20 khz (+/- 03 db, fs=192 khz); 5 hz–50 khz (+/- 2 db, fs=192 khz) thd+n: khz, fs=440 with apt-x: lossless and wireless¿¿cayin’s lightest digital audio player to date, the n3 has gotten a ton of hype since its unveiling at canjamse retira por cap fed0 and aptx allows for convenient connection to the latest wireless headphones and speakers*a su vez se puede reproducir por usb otg*se probo nada mas para testear unos auris y recomendar luego este equipo*ejemplo de prueba bluetooth con el celular, y se escucha spotify, reproductor de audio o peliculas o bien youtube, todo sin cable con sonido excelente2 db, fs=192 khz); 5 hz–50 khz (+/- 2 db, fs=192 khz) thd+n: khz, fs=44modern and minimalist in style, this dap has an aluminum chassis, an anti-slip leatherette backing, a 25mm headphone and usb type-c s/pdif output: dop and d2p dop output: dsd up to dsd64, pcm up to 24 bit/192 khz dimensions (l x w x h): 3*tiene varias opciones como bluetooth 40 with apt-x: lossless and wireless¿¿ enables lossless music transmission over a wireless connection, apt-x is superior with wider bandwidth, shorter delay, better error correction and most important hi-fidelity audio reproduction around the world roughly 2 billion devices are powered by apt-x audio, covering automobile, home and portable applications dsd not supported by bluetooth transmission duplex bluetooth service become a wireless dac/amp when connect to bluetooth source(such as mobile phone) support ctia standard headphones support regular playback on non-cita headphone uncompromised digital capability native decode dsd 256 pcm upto 32bit/384khz, direct handling of sacd-iso specs cayin construction: aluminum chassis and anti-slip leatherette backing dac chipset: aken headphone opamp: opa line amp: opa audio file formats: dsf, diff, sacd-iso, wav, aiff, flac, alac, ape, wma, mp3, ogg display: 25 oz (100 g) phones out power rating: 130 mw + 130 mw at 32 ohms frequency response: 20 hz–20 khz (+/- 0debe comunicarse luego de ofertar y la operación se debe realizar dentro de los 3 dias de ofertado caso contrario califico negativo y vuelvo a publicar sin excepcion!!!ofertar es un compromiso de compra ineludiblehaga todas las preguntas correspondiente*suena excelente este equipo de gran calidad de sonido con varias opciones, producto noble de gran calidadhaciendo de dac amplificador el equipo*competidor directo de fiio x3 segunda generaciónit features the akm dac chipset, an audiophile favorite, with support for all common music formats up to 32 bit/384 khz and native dsd decoding up to 11plus, its built-in bluetooth 4*también permite usar como dac directo para la pc o inclusive para tablet o celular4-inch screen, and capacitive buttons that give feedback when touched0 + aptx headphone impedance: ohms recommended gain control: 3 gain stages: high, mid, low continuous playback: 12 hrs (screen off) standby: 200 hrs charging time: approx*tiene días en el país, *se va sin caja, solo reproductor, cable usb original de gran calidad y la fundatenga seguridad antes de ofertar4 in (6 cm) tft 400x360 ips screen buttons: capacitive touch bluetooth version: bluetooth 4si ven review van a ver equipo super completovendo tremendo reproductor + auricular *cayin n3 dap, master calidad reproductorand with up to 12 hours of continuous playback (and 200 hours of standby), you can keep the music going all day long

  • – direct output to mixer’s line inputcontrols clean leveloutput signal level adjustment high – high frequencies adjustment mid – middle frequencies adjustment low – low frequencies adjustment gain – channel sensitivity adjustment drive leveloutput signal level adjustment high – high frequencies adjustment mid – middle frequencies adjustment by means of rejecter filter freqgain – channel sensitivity adjustment overall controls blend – signal level balance adjustment between channels clean and drive master volume – bc-1’s overall output level adjustmentctrl out – amt ts-2midi aux convertors control output cabdi out – balanced output intended for connection of devices equipped with balanced inputsconnections right panel input – instrument input of the preamp send fx – signal send to aux effect return fx – aux effect signal return left panel output – direct output to power ampthe high mode provides additional possibilities in terms of the range enrichment towards higher sound density and aggressivenessthe wide adjustment range in combination with rich functional possibilities that can only be found in a stomp box have considerably increased the preamp versatilitythe adjustable 3-position mid-range filter combined with deep adjustments along the frequency ranges offer a musician its rich possibilities related to shaping of the overdriven tone rangeamt bc-1 “bass crunch” – 2-channel jfet bass guitar preamp features overview we are happy to present one of the most versatile bass guitar preamps on the market in a such small package – amt electronics bc-1 “bass crunch”! the preamp has been built on the basis of the custom technology by ¿¿¿ using jfet emulation of the vacuum tube range clipping«bass crunch» bc-1 preamp is based on a two-channel circuitdrive channel contains a number of over amplification stages and is intended for obtaining the modern sound from clean to totally overdriven onefootswitch drive – drive channel on/off led – drive channel on indicator footswitch hi/lo – drive channel increased sensitivity on/offpower dc 18v – for connection of power adapter battery compartment – for two 9v batteries installationnotch – rejecter filter switch before drive stageled – hi/lo mode with drive channel increased sensitivity on indicatornotch – cutout frequencies switch (rejecter filter) 500hz, 330hz, 230hzclean channel shapes the classic bass guitar sound characteristic for «old» amplifiers and allows both velvet transparent sound and slight compressed overdrive depending on the position of gain controllow – low frequencies adjustment pre

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  • Net) jvc dd-9 main features: noise reduction dolby-b noise reduction dolby-c noise reduction mpx filter anrs noise reduction super anrs noise reduction head configuration 3 head design 4 track / 2 channel transport sìngle capstan transport direct drive (capstan) mechanical tape loading auto shutoff quartz controlled transport tape chrome tape capability normal tape capability metal tape capability manual tape type selection exterior front loading orientation right silver finish display 4-digit digital counter peak hold digital peak-reading meters multi color peak-reading meters meters peak / vu switchable calibration auto bias calibration auto equalizer calibration auto level calibration connectivity 2 mono microphone inputs headphones rca input/output connectors wired remote control operation timer recording/playback real-time tape monitoring record mute full logic transport control stop watch preamplifier record level balance control output-level control master record level control general stereo rear controls voltage switchable (rear) indicators record cassette back lighting dolby b dolby c fast forward play pause rewind metal tape record mute source/tape speed 1¿ ips – 4the capstan of the dd-9 is direct-driven by a quartz-locked servomotor, and a separate dthe record- and playback-head elements, both housed in a single casing, are made from sen-alloy and have tapered („x-cut”) pole pieces to reduce variations in low-frequency responsethe dd-9 thus provides switches for selecting either no noise reduction, anrs/dolby-b, or dolby-cthrough virtually doubling the amount of noise reduction provided by the normal dolby-b system (or its jvc equivalent, anrs), c-type dolby is designed to meet the needs of today’s wider-dynamic-range recordings without losing compatibility with existing dolby-b-encoded tapes(review from hifi-classic76 cm/s electronics record protection power requirements alternating currentatencion averiguar antes de comprar por la forma de pagodeck jvc dd-9 3 cab top audiofila leer deck jvc dd-9 3 cab auto calibracion 2 motores tope de linea audiofila legendaria made in japan, perfecto funcionamiento solo tiene muy pequenos detalle en su serigrafiajvc dd-9 is a two-motor, three-head cassette deck that includes, among its many advanced features, the new dolby-c noise-reduction systemy por motivos de pasadas experiencia por maltrato, envios no hago, habia enviado equipos en perfectas condiciones y devolvieron golpeado o con averias, por esta razon envios no hago, el retiro tiene que ser personalmente220v tomo audio en parte de pagomotor is used to turn the reels

    Argentina

  • 5 db (20 hz to 48 khz), refer to the nominal output level @ 1 khz, gain knob: min - ruido de entrada equivalente: -128 dbu (mono input channel, rs: 150 o, gain knob: max) - ruido de salida residual: -102 dbu (stereo out, stereo master fader: min) - crosstalk5 khz peaking - eq low: gain: +15 db/-15 db, frequency: 100 hz shelving - peak led: turns on when post eq signal reaches 3 db below clipping (mono) - level meter: 2x 12 -segment led meter [peak, + db] - distorsión armónica total: dbu (20 hz to 20khz), gain knob: min, dbu (1khz), gain knob: min - respuesta de frecuencia: +0características: - consola de mezclas de 20 canales - hasta un máximo de 16 entradas de micro / 20 de línea (12 mono + 4 estéreo) - 4 buses de grupo + 1 bus estéreo - 4 envíos aux (incluyendo envío para efectos) - preamplificadores de micro “d-pre” con circuito darlington invertido - compresores de mando único (1-knob) en los canales 1-8 - interruptor de atenuación (pad) en las entradas mono - eq de 3 bandas en todos los canales mono - control pan/balance en cada canal - alimentación phantom +48 v - salidas xlr balanceadas - fuente de alimentación interna universal para su uso en todo el mundo - chasis metálico especificaciones: - phantom power: +48 v - canales de entrada: 12x mono [mic/line] 4x mono/stereo [mic/line] - canales de salida: 2x stereo out 1x monitor out 1x headphone out 4x aux send 4x group out - bus: stereo: 1 aux: 4 group: 4 - pad: 26 db (mono) - hpf: 80 hz, 12 db/oct (mono/stereo: mic only) - compressor: threshold: +22 dbu to -8 dbu ratio: 1:1 to 4:1 output level: 0 db to 7 db attack time: aprox• 100% de calificaciones positivas avalan nuestro servicio25 msec release time: aprox• más de 20 años de experiencia en el rubro• somos un local a la calle ubicado en el centro (zona peatonal) de la ciudad capital de la rioja• no cobramos adicional de despacho ni embalaje• somos mercado lider platinum (la calificación más alta de mercado libre)300 msec - eq high: gain: +15 db/-15 db, frequency: 10 khz shelving - eq mid: gain: +15 db/-15 db, frequency: mono 250 hz - 5 khz peaking, stereo 2yamaha mg20 mesa de mezclas de 20 canales: máximo 16 entradas de micro / 20 de línea (12 mono + 4 estéreo); 4 buses de grupo + 1 bus estéreo; 4 envíos aux (incluyendo envío para efectos)9 kg ----------------------------------------------------------------------- mk2 srl ----------------------------------------------------------------------- • tienda de instrumentos musicales, sistemas de sonido e iluminación profesional• envíos a todo el país por mercado envío (correo argentino), oca o transporte• formas de pago: mercado pago78 db - requisitos de energía: ac v, hz - consumo de energía: 36 w - dimensiones: 444 mm (ancho) x 130 mm (alto) x 500 mm (profundo) - peso: 6• hacemos factura

  • Outlinetypemixing capabilitymixing channelsinput channel functionsoutput channel functionsi/oinputsoutputsbluetoothcontrol and otherson-board processorsdspgeneral specificationsspeaker typefrequency range (-10db)nominal coveragehvcomponentslfhfpower ratingdynamicmaximum output level (1m; on axis)power requirementspower consumptionaccessoriosoptionsothersdimensions (w x h x d)weight stagepas 1k outline type powered subwoofer with a line array speaker mixing capability mixing channels 5 (3 mono + 1 st) input channel functions hi-z: ch2/3, 1-knob eq: ch1-3/st output channel functions mode (speech - music - club) i/o inputs 3 mono mic/line + 1 stereo line/2 mono line outputs 1 link out, 1 monitior out bluetooth bluetooth ver0, a2dp (sbc, aac) control and others reverb foot switch, stagepas editor (ios/android app) on-board processors dsp spx digital reverb (4 program, parameter control) general specifications speaker type powered subwoofer: bass-reflex type, line array speaker: enclosed frequency range (-10db) 37 hz - 20 khz nominal coverage h 170° v 30° components lf powered subwoofer: cm) cone hf line array speaker: cm) cone x 10 power rating dynamic w (powered subwoofer: 810w, line array speaker: 190w) maximum output level (1m; on axis) 119 db spl power requirements depending on area of purchase: 100v 50hz/60hz, 110v/120v 60hz, 220v-240v 50hz/60hz power consumption 25 w (idle), 85 w (1/8 power) accessorios power cord x 1, cover x 1 options yamaha dl-sp1k (dedicated dolly), fc5 (foot switch) for reverb on/off others handle: 1 x powered subwoofer dimensions (w x h x d) system: 334 x x 418 mm (maximum), line array speaker: 67 x 582 x 86 mm, powered subwoofer: 334 x 550 x 418 mm, spacer: 67 x 555 x 86 mm (each) weight system: 23incorporando un altavoz y una mezclador con calidad de concierto, hemos definido un nuevo estándar en sistemas portátiles de pa gracias a la experiencia y los conocimientos únicos que yamaha ha desarrollado durante décadas produciendo equipos de audio profesional innovadores en cualquier ámbito de la sonorización y la producción musicalcon unas prestaciones de audio de nivel profesional y muy sencillo de configurar y montar, permite a los artistas con aspiraciones centrarse en su música y dar lo mejor de sí mismos en sus actuaciones8kg, powered subwoofer: 20el stagepas 1k supera a otros sistemas de pa portátiles gracias a que ofrece el más alto nivel de calidad de sonido y de presión sonora, un diseño de caja acústica muy ligera, funciones de mezcla profesionales y gran sencillez de manejoel stagepas 1k es un sistema de pa portátil “todo en uno“ que permite transformar rápida y fácilmente cualquier sitio en un escenario0kg (maximum), line array speaker: 1

  • level control equnit maximum output power50 hz–20 khz (–10 db) maximum output level4 cm voice coil compression driver frequency rangemando level (nivel) este mando permite ajustar el nivel de entrada de señal de los conectores input/thru mando eq (ecualización) high (agudos): determina el nivel de la banda de alta frecuencia (a partir de 1,6 khz)black tripod pole diameterlow: ±3 db at 55 hz high: ±3 db (hf) power switch (on/off) input/output connectors (all balanced)121 db (1m on axis) directional angle110 w * 0 db= v conector ac in conecte aquí el cable de alimentación incluidomic/line –36 db/+4 db input impedancelf: 225 w at 500 hz, thd=1%, rl=4 ù hf: 75 w at 5 khz, thd=1%, rl=16 ù crossover frequencyespecificaciones técnicas del msr 400 ■ general specifications typexlr-3-31, xlr-3-32, phone (they are all connected in parallel and can be used as line outputs5 m), owner’s manual ■ amp10 k ù controlsestán todos conectados en paralelo y pueden asimismo utilizarse como conectores de salida6 khz (30 db/octal encenderlo, el indicador de alimentación se ilumina en verdemm included accessoriesprimero, conecte el cable de alimentación al msr400 y a continuación, introduzca el enchufe del cable de alimentación en la toma de caconectores input/thru se trata de conectores balanceados de tipo telefónico xlr-3-31 (hembra) y xlr-3-32 (macho); admiten entradas de nivel de micrófono a nivel de líneagire el mando en el sentido de las agujas del reloj para incrementar el nivel y en el sentido contrario para reducirlo, en una amplitud de ±3 db90° (h)/40° (v) dimension (w × h × d)) input sensitivitypower cord (ac inlet type, 2bafles potenciados yamaha msr 400 el precio expresado es por cada bafleal ajustar el mando en la posición óptima se produce una respuesta de frecuencia planabi-amp 2-way powered speaker speaker unitlf: 30 cm cone hf: 4interruptor de alimentación con este interruptor se enciende y se apaga el msr400power indicator: green led peak/limit indicator: red led power consumption

    $ 17500

  • level control equnit maximum output power50 hz–20 khz (–10 db) maximum output level4 cm voice coil compression driver frequency rangemando level (nivel) este mando permite ajustar el nivel de entrada de señal de los conectores input/thru mando eq (ecualización) high (agudos): determina el nivel de la banda de alta frecuencia (a partir de 1,6 khz)black tripod pole diameterlow: ±3 db at 55 hz high: ±3 db (hf) power switch (on/off) input/output connectors (all balanced)121 db (1m on axis) directional angle110 w * 0 db= v conector ac in conecte aquí el cable de alimentación incluidomic/line –36 db/+4 db input impedancelf: 225 w at 500 hz, thd=1%, rl=4 ù hf: 75 w at 5 khz, thd=1%, rl=16 ù crossover frequencyxlr-3-31, xlr-3-32, phone (they are all connected in parallel and can be used as line outputs5 m), owner’s manual ■ amp10 k ù controlsestán todos conectados en paralelo y pueden asimismo utilizarse como conectores de salida6 khz (30 db/octal encenderlo, el indicador de alimentación se ilumina en verdemm included accessoriesprimero, conecte el cable de alimentación al msr400 y a continuación, introduzca el enchufe del cable de alimentación en la toma de caconectores input/thru se trata de conectores balanceados de tipo telefónico xlr-3-31 (hembra) y xlr-3-32 (macho); admiten entradas de nivel de micrófono a nivel de líneagire el mando en el sentido de las agujas del reloj para incrementar el nivel y en el sentido contrario para reducirlo, en una amplitud de ±3 db90° (h)/40° (v) dimension (w × h × d)) input sensitivitypower cord (ac inlet type, 2bafle potenciado yamaha msr 400 una sola unidad especificaciones técnicas del msr 400 ■ general specifications typeal ajustar el mando en la posición óptima se produce una respuesta de frecuencia planabi-amp 2-way powered speaker speaker unitlf: 30 cm cone hf: 4interruptor de alimentación con este interruptor se enciende y se apaga el msr400power indicator: green led peak/limit indicator: red led power consumption

    $ 19000

  • dual 5-band equalizers for mikes/instrumentsspecifications input sensitivity: 150mv output level: 150mv frequency response: 20hz to 20khz signal to noise ratio: 70db total harmonic distortion: 07-band equalizer for sources05% channel separation: 50db control range: ± 12db frequency bands: k, 2electronic bbd reverb with pulsating the rg-707 is a versatile equalizer and mixer for instrumentalists and budding recording engineers3k, 16khz dimensions: 430 x 78 x 223mm weight: 2

    $ 2500

  • Trs ? nominal output level: +4dbu ? maximum output level: +18dbuunbalanced ? input impedance: 470k ohms ? nominal input level: -8dbu ? maximum input level: +10dbu (before clipping) ? output connectors: ¼ in? 12ax7 tube and solid-state preamps ? full-function compressor ? 4-band eq ? notch filter ? stereo outs or mono bi-amp with built-in crossover ? jam-a-long jack (cd or tape stereo input) ? headphone output ? built-in expression pedal ? chromatic tuner ? s-disc ii expression pedal ? effects include: band-passed modulation effects (chorus, flanger, phaser, and detune), autowah, wah, tremolo, octabass, fretless simulator, pitch shift, whammy, delay, reverb ? input/output sections ? input connector: ¼ inpreamp valvular, le da un sonido cálido y más orgánico que cualquier pedalera digital40 bancos de usuario y otros 40 programablesen su momento se pago u$s 800 y esta en perfecto estadosalida mono, estereo y para auricularespdf pre valvular y pedalera con efectos para bajo que incluye: overdrive, distorsion, chorus, flanger, phaser, octave, pitch shift, y otrosmanual en pdf: http://mediaincluye afinador, pedal de expresion para wah/wah, volume/etcpedal de expresión, regula volumen o cualquier parámetro del efecto

    $ 4500

  • output level: +21dbu (vrms) power: ac v hzstereo 2-way & mono 3-way crossover 24db/octave state-variable filter 40hz low cut frequency input level output level phase switches function indicator xlr balanced low sum thd: less than % sing-to-noise ratio: more than 90db input impedance: 40k ohms (balanced) output impedance: 102 o maxinput level: +21dbu (vrms) max

    $ 1700

  • Volume control rotary control to set the overall output level of the amplifierfor optimum signal level the peak led should light occasionallygain control with peak led controls the level of input gainlo-sensitivity input input for the connection of bass guitars with higher output levelshi-sensitivity input input for the connection of bass guitars with lower output levelsthe input gain control should be used to set the threshold level and the depth control to select the amount of compressionturned fully clockwise the signal is routed through an ecc83 pre-amp valve circuitpower switch on off mains power switch with led indicator and featuring soft start circuitry to minimise switch on and switch off noisecompression threshold indicator led which indicates when the compression threshold is reached3the various positions in between offer numerous combinations of the brighter more percussive solid-state tone with that of warmer more compressed valve toneno permuto, solo venta 1graphic equaliser 7 band graphic equaliser offering + or - 15db cut or boost (centre flat) of the frequencies that proved to be the most effective for bass reproduction in our exhaustive listening testslow primary eq control rotary control that gives + or - 15db cut and boost of the lower end of the primary eqnote: this control works in conjunction with input gain control (3)deep switch push switch to add extra bottom to the low end of the primary eqhigh primary eq control rotary control that gives + or - 15db cut or boost of the primary eq upper frequenciesgraphic on/off switch and indicator push switch to access or by-pass the graphic with led indicating on/off statusfor the footswitch to function the front panel switch must be in the ‘off’ positioncompression depth control rotary control for selecting the depth of compressionmarshall dynamic bass system ] amplificador marshall para bajo modelo dynamic bass system de 200 w rms, amplificador en perfecto estado y funcionamientobright switch push switch to add brightness and attack to the top end of the primary eqcompression on/off push switch push switch which activates the compression circuitequipo de finales de la década de los 90, alrededor de , está revisado y funcionando perfectamente, no tiene nada fuera de lugarpre-amp blend control this control fully anti-clockwise routes the signal through purely solid state input pre-amp circuitrypre or post eq selection switch selection switch to offer a studio or pa engineer with the choice of direct signal either before or after eq and compression has been addedtiene 7 bandas de ecualización, control de mezcla de pre, compresor, entrada hi y low(the graphic is also footswitchable by any standard on/off footswitch)

    $ 16000

  • 5 db (20 hz to 48 khz), refer to the nominal output level @ 1 khz, gain knob: min hum & noise level equivalent input noise -128 dbu (mono input channel, rs: 150o, gain knob: max) residual output noise -102 dbu (stereo out, stereo master fader: min) crosstalk -78 db power requirements ac v, hz power consumption 30 w dimensions w 444 mm (17audionet distribuidor oficial de las mejores marcas de audio yamaha mg16 consola mezcla de 16 canales mesa de mezclas de 16 canales hasta un máximo de 10 entradas de micro/16 de línea (8 mono + 4 estéreo) 4 buses de grupo + 1 bus estéreo 4 envíos aux (incluyendo envío para efectos) preamplificadores de micro “d-pre” con circuito darlington invertido compresores de mando único interruptor de atenuación (pad) en las entradas mono alimentación phantom +48 v salidas xlr balanceadas fuente de alimentación interna universal para poder utilizar la mesa en cualquier parte del mundo kit para montaje en rack incluido chasis metálico dimensiones (ancho x alto x profundo): 444 mm x 130 mm x 500 mm peso neto: 6,6 kg outline i/o phantom power +48 v input channels mono[mic/line] 8 mono/stereo[mic/line] 2 stereo[line] 2 output channels stereo out 2 monitor out 1 phones 1 aux send 4 group out 4 bus stereo: 1, group: 4, aux: 4 input channel function pad 26 db (mono) hpf 80 hz, 12 db/oct (mono/stereo: mic only) comp 1-knob compressor (gain/threshold/ratio) threshold: +22 dbu to -8 dbu, ratio: 1:1 to 4:1, output level: 0 db to 7 db attack time: approx300 msec eq high gain: +15 db/-15 db, frequency: 10 khz shelving eq mid gain: +15 db/-15 db, frequency: mono 250 hz – 5 khz peaking eq low gain: +15 db/-15 db, frequency: 100 hz shelving peak led led turns on when post eq signal reaches 3 db below clipping general specifications total harmonic distortion dbu (20 hz to 20khz), gain knob: min, dbu (1khz), gain knob: min frequency response +025 msec, release time: approx

  • Ecualizador grafico teac ge 20 made in japan input sensitivity: 300mv output level: 300mv frequency response: 20hz to 30khz signal to noise ratio: 82db total harmonic distortion: 003% control range: ± 12db frequency bands: k, 2k, 4k, 8k, 16khz dimensions: 440 x 95 x 170mm weight: 45kg capital federal, zona de villa urquiza

    $ 10000

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